With XT-1 your guitar will sound like the finest guitars of your dreams.

It’s not midi, and it’s not sampling: it’s a innovative technology never seen before.

We call it Smart Tone Shaping (STS – our patented technology), and it allows you to perfectly emulate the tone of any guitar of your choice, allowing you to play naturally, with no latency or digital artifacts.

Keep playing your own guitar, but enjoy the freedom of a whole world of tones.

First, connect your personal axe to XT-1 and create a guitar profile in a minute.

Just play a special chromatic scale, 6 notes per string, covering a relevant portion of the guitar extension range (see pedal instructions for tutorial).

Then, choose your favourite guitars from XT-1’s pre-loaded sounds and start playing: rock the house with the sound of legendary electric guitars, like a Gibson SG 1973 or a Musicman Axis, and then swich with a stomp to a superb acoustic guitar, like a Martin D35 or a Gibson J200! It’s up to you, and choices are endless!

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CHARACTERISTICS

N/S ratio > 108 dB

48k/96k Hz – 32 bit

True Bypass

CONNECTION

1/4 inch In

1/4 inch Out

1/4 inch Balanced output

DIMENSIONS

147 x 128 x 68

POWER

9V DC (center-negative)

12 PRE-LOADED GUITARS

Musicman®️ Axis | neck, mid, bridge

Fender® Stratocaster® | neck, mid, bridge

Fender® Mustang® | neck, mid, bridge

Martin®️ D35 | mic’d

Gibson® 335 | neck, mid, bridge

Benedetto® ‘Bambino’ Archtop | neck

PRS®️ Santana®️ | neck, mid, bridge

Gibson®️ 175 | neck, mid, bridge

Gibson®️ SG 1974 | neck, mid, bridge

Gibson®️ J200 | mic’d

Gibson®️ LesPaul®️ | neck, mid, bridge

Fender®️ Telecaster®️ ’64 | neck, mid, bridge

CUSTOM APP

Moreover, the wish of innovation brought SIM1 to design and develop an application, with a very intuitive

interface, for IOS and Android Systems.

This app will allow you to connect your smartphone or tablet to the SIM1- XT1 pedal, via Wi-Fi connection*, in order to:

– change the tones position in the pedal

– share your tone and download other users tone for free

– test and purchase new sounds from the SIM1 Guitar Store

– transfer these sounds to the pedal

‘Sim1 Guitar’ App now available on Apple Store and Google Play.

*Requires (Optional) WiFi USB adapter EW-7811Un

Radial KL-8 Rackmount Keyboard Mixer

Ultimate Keyboard Control

The KL-8 is a rackmount keyboard mixing station designed to provide complete control over a professional keyboard setup, both on-stage and in the recording studio.

Four stereo analog inputs for keyboards

Redundant USB connections for laptop soft-synths

Stereo Aux Send/Receive with optional footswitch control

Headphone outputs and cue switches for silent monitoring

Link multiple KL-8s for larger setups

Put yourself in control of the mix

The KL-8 is a powerful mixing station created with keyboard pros in mind, with a number of features designed specifically to streamline and enhance any keyboard setup. You can connect up to four keyboards in mono or stereo, with level controls, aux sends, and LED indicators for each. A stereo aux send/receive is available to feed rackmount reverbs and delays and effects pedals, or it can be used as an additional input for a fifth keyboard. MIDI and USB connections make it easy to control a laptop soft-synth, utilizing high quality 24bit/192kHz digital audio converters. The KL-8 also features multiple output options, with transformer-isolated XLR main outputs to feed the PA, monitor outputs for a set of speakers on stage, and dual headphone outputs for local monitoring and testing.

Redundant USB inputs

When you can't afford to have a break in the performance due to laptop failure, the KL-8 allows you to set up redundant laptop systems and seamlessly transition from one to another. A secondary USB input on the KL-8 allows you to keep your backup laptop at the ready - when failure occurs simply hit the USB select switch on the front panel or use the optional JR-1L remote footswitch to instantly switch to the backup system.

Silent cueing and monitoring via headphones

A built in headphone amp and dual 1/4" TRS outputs give you the option to practice and record silently, or cue up individual inputs on stage without feeding signal out to the audience over the PA system. Each input channel on the KL-8 is accompanied by a Cue switch that will remove that input from the main and monitor outputs and reroute it directly to the headphones, so you can easily adjust patch settings and test playback over USB without affecting the performance.

USB-C audio interface with two front panel mic/line/instrument inputs with PreSonus XMAX-L solid-state mic preamps; 24-bit, up to 192 kHz recording; up to 2 in, 2 out; MIDI I/O; USB bus-powered; USB-C to USB-C and USB-C to USB-A cables included; Studio One® Artist and Studio Magic Plug-in Suite included.

● USB-C bus-powered, 2x2 audio interface with MIDI for macOS® and Windows®

 ● 24-bit resolution; 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates

● 2 mic/instrument/line inputs with XMAX-L solid-state mic preamps

● +48V phantom power (global)

● 2 balanced ¼” TRS main outputs with front-panel level control

● 4 ladder-style LED level meters (2 input, 2 main output)

● Stereo headphone output

● Mixer knob for low-latency direct input monitoring

● Kensington lock security hole

● Studio One® Artist and Studio Magic Plug-in Suite included

● USB-C to C and USB-C to A cables included

Delivery End of April

High-definition, bus-powered, mobile audio interface with USB-C connectivity; two front panel mic and switchable line/instrument inputs with XMAX-L solid-state mic preamps; 24-bit, up to 192 kHz recording; up to 2 in, 4 out; Cue Mix A/B function that toggles between two mixes while monitoring through headphones—perfect for DJs or to listen in on a performer’s monitor mix; MIDI I/O; USB-C to USB-C and USB-C to USB-A cables included; Studio One Artist and Studio Magic Plug-in Suite included.

● USB-C bus-powered, 2x4 audio interface with MIDI

 ● 24-bit resolution; 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates

● 2 mic/instrument/line inputs with XMAX-L solid-state mic preamps

● +48V phantom power (global)

● 2 balanced ¼” TRS line outputs for monitor mixing

● 2 balanced ¼” TRS main outputs with front-panel level control

● 4 ladder-style LED level meters (2 input, 2 main output)

● Stereo headphone output with Cue Mix A/B

● Direct monitoring

● MIDI I/O

● USB-C to USB-C and USB-C to USB-A cables included

● Studio One® Artist and Studio Magic Plug-in Suite included

Audio interface with USB-C connectivity; two front panel mic and switchable line/instrument inputs with XMAX mic preamps; 2 rear-panel mic/line inputs with XMAX preamps; 24-bit, up to 192 kHz recording; up to 6 in, 6 out (4x4 at 192 kHz); Cue Mix A/B function that toggles between two mixes while monitoring through headphones— and to listen in on a performer’s monitor mix; MIDI and S/PDIF I/O; USB-C to USB-C and USB-C to USB-A cables included; Studio One Artist and Studio Magic Plug-in Suite included.

● 6x6 USB-C audio interface with MIDI (4x4 at 192 kHz)

 ● 24-bit resolution; 44.1, 48, 88.2, 96, 176.4, and 192 kHz sampling rates

● 2 mic/instrument/line inputs with XMAX Class A mic preamps

● 2 mic/line inputs with XMAX Class A mic preamps

● +48V phantom power (global)

● 2 DC coupled, balanced, ¼” TRS line outputs for monitor mixing

● 2 DC coupled, balanced, ¼” TRS main outputs with front-panel level control

● 6 ladder-style LED level meters (4 input, 2 main output)

● Stereo headphone output with Cue Mix A/B

● Direct monitoring

● MIDI I/O

● USB-C to USB-C and USB-C to USB-A cables included

● Studio One® Artist and Studio Magic Plug-in Suite included

High-definition audio interface featuring USB-C connectivity; 4 microphone inputs with XMAX Class A preamps; 8 channels of ADAT Optical input; up to 24-bit/192 kHz recording; 18 simultaneous inputs and 8 outputs (8x6 recording at 192 kHz);18x8 DSP monitor mixer for flexible routing and zero-latency monitor mixing; control-room integration with included Studio One® Artist and UC Surface software; S/PDIF I/O, and MIDI I/O; A/B switch for monitoring different streams via headphones; Studio Magic Plug-in Suite included.

● 24-bit/192 kHz, USB-C 18x8 audio interface (8x6 at 192 kHz)

 ● 2 mic/instrument/line inputs and 2 mic/line inputs all with XMAX Class A mic preamps and +48V phantom power

● 4 back panel ¼” TRS balanced line inputs

● 8 channels of ADAT Optical input (4 channels at 96 kHz)

● 2 ¼” TRS balanced DC coupled main outputs with level control and dedicated mute button

● 4 ¼” TRS balanced DC coupled line outputs

● 2 headphone outputs with A/B switching on headphone output 1

● LED metering for all analog inputs and main outputs

● S/PDIF and MIDI I/O

● Flexible routing, zero-latency monitor mixing, and control-room integration with included Studio One Artist

● Monitor mix control with free UC Surface for macOS®, Windows®, iPad®, and Android™

● USB-C to USB-C and USB-C to USB-A cables included

● Studio Magic Plug-in Suite included

High-definition audio interface featuring USB-C connectivity; 8 microphone inputs with XMAX Class A preamps; 8 channels of ADAT Optical input and output; up to 24-bit/192 kHz recording; 18 simultaneous inputs and outputs (8x8 recording at 192 kHz); 18x18 DSP monitor mixer for flexible routing and zero-latency monitor mixing; control-room integration with included Studio One® Artist and UC Surface software; S/PDIF I/O, and MIDI I/O; Studio Magic Plug-in Suite included.

● 24-bit/192 kHz, USB-C 18x18 1U rack mounted audio interface (8x8 at 192 kHz)

 ● 2 mic/instrument/line inputs and 6 mic/line inputs all with XMAX Class A mic preamps and +48V phantom power

● 8 channels of ADAT Optical I/O (4 channels at 96 kHz)

● 2 ¼” TRS balanced main outputs with front-panel level control and dedicated Mute and Mono buttons (duplicate line outs 1/2)

● 8 ¼” TRS balanced DC coupled line outputs

● 2 stereo headphone outputs with independent mix streams

● LED metering on all analog inputs and main outs

● S/PDIF I/O

● MIDI I/O

● BNC word clock output

● Flexible routing, zero-latency monitor mixing, and control-room integration with included Studio One Artist

● Monitor mix control with free UC Surface for macOS®, Windows®, iPad®, and Android™

● USB-C to USB-C and USB-C to USB-A cables included

● Studio Magic Plug-in Suite included

Professional quality wherever you record.

Great for home recording, mobile musicians, guitarists, podcasters, and live streaming, the Studio 24 2x2 USB-C bus-powered audio/MIDI interface can record up to 24-bit, 192 kHz audio. Equipped with PreSonus XMAX-L solid-state preamps and high-end converters, it delivers professional quality audio in a rugged, compact enclosure, allowing you to create your next hit in your studio or on the go. A complete, all-in-one recording solution, the Studio 24 comes with PreSonus’ award-winning Studio One® Artist music production software for Mac® and Windows®.

Superior sound.

Audiophile-grade digital converters, ultra-low-jitter clocking, and XMAX-L solid-state preamps add up to a superior recording and listening experience. The Studio 24 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output enable you to capture complex musical harmonics smoothly and naturally with no audible distortion.

Perfect for guitarists, singer/songwriters, podcasters, and more.

The Studio 24 audio interface is a great choice for podcasters, singer/songwriters, small personal studios, school music labs, live streaming, or a couple of guitarists who want to collaborate or jam. A Mixer knob blends analog input and computer playback for low-latency direct monitoring.

World-class recording software included.

Seamlessly integrated with the included PreSonus Studio One® Artist music production software, the Studio 24 interface works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour.

The Studio 24 audio interface features two front-panel combo mic/instrument/line inputs with +48V phantom power for condenser mics. Accurate LED meters indicate input and output levels. A USB-C port and balanced, ¼-inch TRS, line-level main outputs grace the rear panel, and an output level control is provided on the front. MIDI I/O enables connection to a keyboard, sound module, or control surface.

Designed for the studio. Built for the road.

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 24 will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit that's ready to hit the road when you are. The perfect companion for any recording software, the Studio 24 comes equipped with Studio One Artist to provide you with a complete, affordable, mobile recording solution. Check out the Studio 24 at your favorite PreSonus dealer.

Includes Studio Magic Plug-in Suite.

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

Radial Catapult Mini 4-Channel Cat 5 Audio Snake Transmitter

The Catapult Mini is a 4-channel compact audio snake that allows you to send analog audio signals over standard Cat 5 or Cat 6 shielded twisted pair cable.

Send four channels of analog audio over a single Cat 5/6 cable

Works with a building’s existing cable infrastructure

Compact and lightweight, yet durable and rugged

Economical Cat 5/6 cable replaces bulky multichannel audio snakes

Analog audio over Cat 5 wiring

The Catapult Mini RX and TX act like a typical four-channel analog audio snake; they allow you to send mic or line-level signals from one location to another without signal loss, noise, or interference, and without any digital audio conversion needed. What makes the Catapult system unique is that it utilizes Cat 5 Ethernet cable, which is widely available, lightweight, and economical. Simply connect a shielded Cat 5 cable between any two Catapult modules and they will use the analog conductors in the cable to deliver four balanced audio lines to any destination.

Straight-wire passive operation

Catapult modules require no power to operate, and since they keep the signal in the analog realm, no digital conversion is necessary. Straight-wire connection from the XLRs to the RJ45 connector on a Cat 5 cable ensures that your audio passes through without coloration or distortion.

Utilize pre-existing cable installations

As many buildings are already pre-wired for Cat 5, you can take advantage of this to transmit audio between distant rooms without the need to install or supply new cabling. This eliminates the need for bulky and expensive multi-channel audio cable, and allows contractors to benefit from installed network cable and easily connect from one room to another.

Mix & Match

All of the Radial Catapult modules are compatible with each other, and each is sold individually, so you can select whichever combination best suits your needs. The Catapult Mini RX and TX can be used together as a pair, creating a compact 4-channel audio snake. However, if you prefer to have a stage box to plug microphones into, but want a compact breakout cable that fits in the case with the mixer, combine the Catapult TX4 with the Catapult Mini RX. A variety of modules allow you to customize your transmit and receive devices to complement any application.

Radial Catapult Mini 4-Channel Cat 5 Audio Snake Receiver

The Catapult Mini is a 4-channel compact audio snake that allows you to send analog audio signals over standard Cat 5 or Cat 6 shielded twisted pair cable.

Send four channels of analog audio over a single Cat 5/6 cable

Works with a building’s existing cable infrastructure

Compact and lightweight, yet durable and rugged

Economical Cat 5/6 cable replaces bulky multichannel audio snakes

Analog audio over Cat 5 wiring

The Catapult Mini RX and TX act like a typical four-channel analog audio snake; they allow you to send mic or line-level signals from one location to another without signal loss, noise, or interference, and without any digital audio conversion needed. What makes the Catapult system unique is that it utilizes Cat 5 Ethernet cable, which is widely available, lightweight, and economical. Simply connect a shielded Cat 5 cable between any two Catapult modules and they will use the analog conductors in the cable to deliver four balanced audio lines to any destination.

Straight-wire passive operation

Catapult modules require no power to operate, and since they keep the signal in the analog realm, no digital conversion is necessary. Straight-wire connection from the XLRs to the RJ45 connector on a Cat 5 cable ensures that your audio passes through without coloration or distortion.

Utilize pre-existing cable installations

As many buildings are already pre-wired for Cat 5, you can take advantage of this to transmit audio between distant rooms without the need to install or supply new cabling. This eliminates the need for bulky and expensive multi-channel audio cable, and allows contractors to benefit from installed network cable and easily connect from one room to another.

Mix & Match

All of the Radial Catapult modules are compatible with each other, and each is sold individually, so you can select whichever combination best suits your needs. The Catapult Mini RX and TX can be used together as a pair, creating a compact 4-channel audio snake. However, if you prefer to have a stage box to plug microphones into, but want a compact breakout cable that fits in the case with the mixer, combine the Catapult TX4 with the Catapult Mini RX. A variety of modules allow you to customize your transmit and receive devices to complement any application.

Everything you Need to Record and Produce

Produce and record like a pro with a single-purchase bundle! The core of this package is the AudioBox USB® 96 audio/MIDI interface and award-winning Studio One recording and production software. You also get PreSonus®’ best-selling Eris E3.5 Active Media Reference Monitors and HD7 headphones, allowing you to monitor your work loud and proud or quietly to yourself. Lastly, the M7 dynamic microphone is a superior all-purpose condenser mic ideal for guitar and vocals—and we even included all the necessary cables and a desktop mic stand.

Studio One Artist makes recording a breeze.

No other entry-level recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio One® Artist lets you work quickly and stay focused on your inspiration, offers unlimited tracks and plug-ins, and delivers features not normally found in entry-level DAWs. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One makes it easy!

AudioBox USB 96: Simple, reliable, and portable.

The AudioBox USB 96 is the heart of the AudioBox Studio Ultimate Bundle. This simple, handy little audio/MIDI interface has just the right features for basic recording needs, including two combo mic/instrument inputs and zero-latency monitoring, so you can simply plug in and start recording right away. Bus-powered, built to travel, compatible with most recording software for Mac and Windows, and equipped with high-performance microphone preamplifiers and professional-quality, 24-bit, 96 kHz converters, the AudioBox USB 96 makes high-definition recording easy.AudioBox USB 96: Simple, reliable, and portable.

Sound you can trust. Eris 3.5

PreSonus® Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. They’re compact enough to fit almost anywhere, but still offer robust I/O—you can connect them to nearly anything.

Capture every nuance with the M7 condenser microphone.

Get your mic collection off to a good start with the M7 large-diaphragm condenser microphone and desktop stand. Condenser mics are the overwhelming choice of recording studio professionals, enabling you to capture musical details, harmonics, and subtle nuances that would get lost with dynamic mics. Large-diaphragm condenser microphones, like the M7, tend to “warm up” a sound, making them the go-to microphone for recording vocals and a wide range of instruments.

Hear every detail with HD7 professional headphones.

PreSonus’ high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Accurate midrange and extended treble response let you pick out the fine details of a mix or track. The lightweight, ergonomic design adjusts to any head size, offering a comfortable listening experience during long recording sessions.

Renowned maker of industry-leading studio monitors ADAM Audio introduces the SP-5, a closed-backed, circumaural headphone with an analytically precise, smoothly balanced sound from 8 to 38 kHz. The SP-5 uses Ultrasone´s S-LOGIC technology to provide startlingly realistic spatial imaging while requiring less SPL to deliver the same volume, making the SP-5 an excellent choice for long mixing sessions. ADAM Audio CEO Christian Hellinger: “This headphone fits perfectly into our reference-class monitor range, providing ultra-precise reproduction of audio material while avoiding hearing fatigue.”

The ADAM Audio Studio Pro SP-5 is available now.

Tightly integrated production environment with included Studio One® Artist production software; flexible control of virtual instruments and real-time triggering of samples and loops using 16 full-size, velocity- and pressure-sensitive RGB pads that can send polyphonic aftertouch, channel pressure, or MIDI CC messages, plus 20 buttons and 8 pad banks that can be assigned in multiple ways; includes MVP Loops content custom-designed for ATOM; built to withstand the rigors of performance and travel.

Tightly integrated production environment featuring PreSonus® ATOM™ pad controller, which offers flexible control of virtual instruments and real-time triggering of samples and loops; powerful yet easy-to use Studio One® Artist production software with Studio Magic Plug-in Suite; AudioBox USB 96 portable, bus-powered, 2-channel USB interface with up to 24-bit, 96 kHz recording; M7 large-diaphragm condenser mic; and MVP Loops content custom-designed for ATOM.

The HD9 is a professional studio headphone featuring 45 mm dynamic, neodymium drivers in a closed acoustic design; a refined frequency response that extends all the way from 10 Hz to 26 kHz; accurate low frequency response; and high power handling (900 mW per channel into 40 ohms).

• Closed back, circumaural acoustic design

 • Two-way, 180° cup rotation

• Tailored frequency response (10 Hz - 26 kHz)

• Accurate low-frequency response

• High-power handling (1,800 mW @ 40Ω, 900 mW per channel)

• 45 mm dynamic, neodymium drivers

• 96 dB sensitivity (±3 dB)

• 10 foot (3m), straight, single-sided cable with 1/8 inch connector

• Gold-plated 1/8 inch-to-¼ inch adapter

• Storage bag

Work smarter. NEW FaderPort V2

USB Control Surface with 1 motorized fader, transport controls, Studio One, MCU, HUI

Although a keyboard and mouse are tried-and-true DAW-control devices, they’re far more effective when used in tandem with the FaderPort™’s precise tactile control over mix and automation functions. A superior solution for anyone who mixes in the box, the FaderPort provides a 100 mm touch-sensitive, motorized fader for writing fades and automation in real-time and 24 buttons covering 40 different functions, all in a compact chassis that easily sits on any desk. Quickly zoom in on audio files for editing. Control track levels with the touch of a finger. With the FaderPort, you’ll enjoy the fastest, most efficient workflow you’ve ever experienced.

Integrate vintage gear with your DAW at Quantum speed

Quantum 4848: 24-bit 192 kHz Thunderbolt Audio Interface with Studio One Professional

PreSonus®’ fastest and best-sounding audio interface; takes advantage of the Thunderbolt™ bus to deliver extremely low-latency/high-speed audio; ADCs and DACs with >120 dB dynamic range; up to 24-bit/192 kHz recording; 32 channels of line-level I/O on DB25 connectors; expandable via 2 banks (up to 16 channels) of ADAT Optical; stack up to 4 Quantum 4848 interfaces 192x192 I/O; word clock I/O for superior digital sync; includes Studio One® Professional featuring Pipeline, which allows you to use your favorite analog gear as plug-ins inside your Studio One session, plus the Studio Magic Plug-in Suite.

High-quality monitoring is crucial for artists to deliver their best performance, so we’ve given the EarMix 16M a loud, clear headphone amplifier that can drive low-impedance devices such as professional-caliber in-ear-monitors. We started with a top of the line digital-to-analog converter for the best dynamic range and signal-to-noise ratio. We took special care in the amplifier design to deliver excellent sound with a wide range of in-ear monitors and headphones with different impedances. Controls and inputs can be customized on each unit to allow each musician to create a mix that works best for them. Once you’ve perfected a set of monitor mixes, save the whole scene to internal memory; you can store and recall up to 16 mix scenes locally.

Your ears—and bands—will thank you.

EarMix 16M’s connectivity, AVB networking with PoE, and PreSonus’ famed hardware/software integration give you all the tools you need to create a truly professional personal monitoring system that can serve even the largest ensembles. We remembered the little things, too, like an optional microphone stand mount. Best of all, thanks to loud, clear headphone amps, high-end converters, and top-quality signal processing, EarMix 16M delivers exceptional sound quality that will further enhance your hard-earned reputation as an audio professional.

45 meter cable

Analog Input/Output

Locking, remote controllable combo mic/line inputs

8 remote-controllable XMAX preamps

Gain compensation for shared inputs

8 locking XLR line outputs

Meters, Controls, and Processing

Mute All button

+48V indicators

Easy setup and control from StudioLive® Series III consoles and UC Surface

Digital

16x8 AVB (8 direct input channels + 8 gain-compensated input channels)

2 AVB ports with locking XLR Ethernet jacks

Actively Integrated Software

Easy setup and control from PreSonus® UC Surface touch control software for Mac®, Windows®, iPad®, and Android™, available free from Apple App Store and Google Play

Power

Locking IEC power jack

Physical

Rugged stage box enclosure

Optional rack ears

Compatible with stage pockets from Ace Backstage

Analog Input/Output

Locking, remote controllable combo mic/line inputs

16 remote-controllable XMAX preamps

Gain compensation for shared inputs

8 locking XLR line outputs

Meters, Controls, and Processing

Mute All button

+48V indicators

Easy setup and control from StudioLive® Series III consoles and UC Surface

Digital

32x8 AVB (16 direct input channels + 16 gain-compensated input channels)

2 AVB ports with locking XLR Ethernet jacks

Actively Integrated Software

Easy setup and control from PreSonus® UC Surface touch control software for Mac®, Windows®, iPad®, and Android™, available free from Apple App Store and Google Play

Power

Locking IEC power jack

Physical

Rugged stage box enclosure

Optional rack ears

Compatible with stage pockets from Ace Backstage

Designed for creative electronic music production.

Almost everyone at PreSonus is a musician, and many of us are DJs and electronic musicians. So we understand the need for a high-quality interface with the best sounding preamps available and top quality digital converters. We need cue mix monitoring for live DJ gigs as well as in the studio. We need direct line inputs for our external synths, and we need expandability because we can’t resist adding more synths to our collection. That’s why we created the Studio 1810. With 18 flexible inputs, 8 outputs, cue mix monitoring on the first of two headphone outputs, and an onboard DSP monitor mixer that’s integrated into both Studio One® Artist and UC Surface, the Studio 1810 delivers superior audio and the features electronic music producers and DJs need.

Superior sound.

High-grade digital converters, ultra-low-jitter clocking, and our famous XMAX preamps add up to a superior recording and listening experience. The Studio 1810 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. XMAX Class A microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings, making it ideal for both vocal production and sampling.

All the inputs you need, when you need them.

In addition to XMAX mic preamps, the first two Studio 1810 inputs provide instrument preamps so you can directly connect guitars and basses without a D.I. box. All four combo connections feature line level inputs with 40 dB of gain for low-level line devices, like that TR-808 you snagged off Craigslist. Four direct-to-ADC balanced line inputs are ideal for connecting synthesizers, outboard preamps, and channel strips. And the Studio 1810 is equipped with eight channels of ADAT Optical input (four channels at 96 kHz), enabling you to expand your inputs with an 8-channel converter like our premium-quality DigiMax DP88, so your recording system can grow along with your synth collection.

In the studio and on the gig.

The first of two high-powered headphone outputs features Cue Mix A/B so you can choose between two mixes with a button press, providing the flexibility you need for live DJ performances and studio collaboration. In addition to L/R main outputs with front-panel Mute and level controls, you get four balanced line outputs for monitor mixing plus stereo S/PDIF digital I/O. All line-level outputs are DC coupled, enabling them to send control voltages. An 18x6 monitor mixer lets you create three stereo near-zero-latency monitor mixes. Studio 1810’s MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making this versatile interface the heart of your studio.

World-class recording software included.

The Studio 1810 interface works with virtually all Mac and Windows audio-recording software but it really shines when used with the included PreSonus Studio One® Artist DAW. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. The mix controls for the Studio 1810’s onboard monitor mixer are seamlessly integrated into Studio One. Using Studio One’s unique Z-Mix feature, you can create near zero-latency monitor mixes without leaving your recording environment. You also can remote-control monitor mixes using free PreSonus UC Surface touch-control software for Mac®, Windows®, iPad®, and Android™.

The flexible production tool.

With cue mix headphone monitoring, onboard monitor mixing, sweet-sounding preamps, abundant line inputs, and up to 192 kHz sample rate, the Studio 1810 will give you the ultra-high-def sound and versatile connectivity you need to make state-of-the-art recordings and perform live. An excellent companion for any recording software, the Studio 1810’s integration with Studio One Artist and remote control with UC Surface provide a complete and thoroughly professional recording solution. Check out the Studio 1810 at your favorite PreSonus dealer.

The Hitmaker - Created for demanding producers.

Working professionals in search of a feature-rich USB recording solution with a wealth of connections need look no further than the Studio 1824 audio/MIDI interface. Loaded with analog and digital I/O and an 18x8 DSP monitor mixer, the Studio 1824 records up to 24-bit, 192 kHz audio. Flexible routing, near-zero-latency monitor mixing, and control-room integration are available from within included Studio One® Artist for Mac® and Windows® and UC Surface for Mac, Windows, iPad®, and Android™ tablet. Equipped with our famous XMAX Class A preamps and high-end converters, it delivers superior audio and the features you need to create your next hit and keep clients coming back for more.

Superior sound.

High-grade digital converters, ultra-low-jitter clocking, and our famous XMAX preamps add up to a superior recording and listening experience. The Studio 1824 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. XMAX Class A microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings. Your music never sounded better!

The central hub of your studio.

The Studio 1824 features two front-panel combo mic and switchable line/instrument inputs and six rear-panel mic/line inputs, all with +48V phantom power for condenser mics. Its eight channels of ADAT Optical I/O (four channels at 96 kHz) enable you to expand the unit with a multichannel preamp/ADC, such as our premium-quality DigiMax DP88. In addition to L/R main outputs with front-panel Mute, Mono, and level controls, you get eight balanced line outputs for monitor mixing plus stereo S/PDIF digital I/O and two stereo headphone outputs. All line-level outputs are DC coupled, enabling them to send control voltages. The onboard DSP lets you create four stereo near-zero latency monitor mixes. A BNC word clock output enables synchronization with other digital devices. Studio 1824’s MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making it a true central hub for your studio.

World-class recording software included.

The Studio 1824 interface works with virtually all Mac and Windows audio-recording software but it really shines when used with the included PreSonus Studio One® Artist DAW. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. The mix controls for the Studio 1824’s onboard monitor mixer are seamlessly integrated into Studio One so you can easily create near-zero-latency monitor mixes from within your recording environment. You also can remote-control monitor mixes using free PreSonus UC Surface touch-control software for Mac, Windows, iPad, and Android tablet.

Designed for producers who need more.

With ample connectivity, onboard monitor mixing, sweet-sounding preamps, and up to 192 kHz sample rate, the Studio 1824 will give you the ultra-high-definition sound and versatile connectivity you need to make state-of-the-art recordings. The perfect companion for any recording software, the Studio 1824’s integration with Studio One Artist and remote control with UC Surface provide a complete and thoroughly professional recording solution. Check out the Studio 1824 at your favorite PreSonus dealer.

EHR-H

The latest addition to the Ehrlund family is a handheld microphone made for vocals and live performances. It's built to endure the rough conditions that arises on tours while still not holding back on sound quality.

Ehrlund Microphones

reshaping microphone technology

Thanks to their unique triangular capsule membrane and pristine phase linear electronics,

Ehrlund Microphones capture sound more accurately. Audio engineers around

the world are amazed at the difference they’re hearing.

We want to shift your audio paradigm.

Sony C-100 Hi-Res Condenser Microphone

The Sony C-100 Microphone is a new side-address studio condenser microphone incorporating advanced microphone technology making it compatible with Hi-Resolution Audio. The C-100 has three selectable polar patterns: Omni, Uni (cardioid) and Bi (figure-of-8).

The C-100's newly-developed double microphone capsule uses technology first used on the world famous C-800G studio mic to incorporate advanced noise elimination and amazing reproduction of vocals and musical instruments alike.

With excellent sound quality, a wide frequency response, noise elimination construction, a low cut filter and switchable polar patterns, the Sony C-100 Hi-Res Studio Mic is a powerful recording tool, essential for every studio.

Sony C-100 Features

Excellent Sound Quality

Two-way diaphragm structure realizes both broad high range and resonant mid-low range and gives great vocal presence.

Wide Frequency Response

The C-100 microphone has a broad frequency response (20 Hz to 50kHz) and provides superb sound reproduction quality for High-Resolution Audio.

Noise Elimination Construction

Two-part metallic body structure succeeded from C-800G microphone prevents acoustic vibration resulting in low noise and clear sound.

Switchable Polar Patterns

The C-100 microphone features switchable uni-directional, omni-directional and Figure-8 ploar patterns for various recording applications.

Low-Cut Filter

Low-Cut filter switch helps eliminate low-frequency noise and proximity effect.

Pad Switch

An -10dB pad switch on C-100 microphone provides added headroom and minimizes distortion caused by transient peaks.

The AVB Network Connection

PreSonus’ SW5E AVB switch supplies five AVB ports with secure. locking XLR Ethernet jacks. This, along with its robust construction, makes the SW5E an especially good choice for live sound systems. Network Link/Activity indicators help you ensure that network data is flowing properly.

What is an AVB network?

Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols. For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB.

PoE: Remote power for networked devices.

Power over Ethernet (PoE) is a technology that enables network cables to carry electrical power to compatible devices. With PoE, a single cable delivers both network data, such as digital audio, and electrical power. You can locate a PoE-enabled device anywhere you can run an Ethernet cable because you don’t need a local power source. Four of the SW5E’s five ports can provide PoE, a rare feature in the current generation of AVB switches. The SW5E’s fifth port is non-PoE, which is useful for linking to additional switches to create a larger network.

Tough enough for live sound.

Live sound gigs are hard on gear, and if your network fails, the show could be over. That’s why the SW5E is built to stand up to the rigors of live sound and perform reliably every time. In addition to using rugged, locking XLR Ethernet connectors, the SW5E is housed in a heavy-duty, all-metal chassis and can be rack mounted using a rack tray (not included). The unit also employs an internal power supply with standard IEC connector—not a clumsy “wall wart” supply that could easily get bumped loose.

A great networking solution for StudioLive digital mixers.

When used with StudioLive digital mixers, an SW5E AVB switch makes many wonderful things possible. Use an SW5E to network StudioLive Series III consoles or to connect a StudioLive AI-series console and StudioLive RML-series rack mixer (as a stage box). Put an SW5E at the center of your network to connect a StudioLive RML-series rack mixer with a StudioLive CS18AI control surface. You can even cascade two StudioLive RML-series mixers to create a larger system by AVB networking them with an SW5E.

You also can use the SW5E to connect non-PreSonus AVB-enabled equipment. As long as the product is compatible with the AVB specification, it is compatible with the SW5E.

Everything you need in one box for 2 channel wireless audio!

The Bundle includes:

1 x URX-P03D 2 channel receiver

2 x UTX-B03 Pocket transmitters

2 x ECM-V1BMP Lavalier microphones

1 x SMAD-P3D Shoe mount adapter for camera