Professional Bluetooth® Headphones with Active Noise Canceling

Eris HD10BT headphones are built with 1.57-inch (40 mm) drivers that deliver superior clarity and extended bass response you’d expect from professional studio headphones. The over-ear design ensures optimal sound isolation whether you’re producing your next record or listening to your favorite artist’s latest release.

Studio sound wherever you go

Professional musicians and audio engineers rely on high-quality headphones in the studio to make sure they can hear every sonic detail. PreSonus® Eris HD10BT headphones provide studio-quality audio performance with the mobility and freedom of Bluetooth connectivity. Active Noise Canceling (ANC) reduces ambient sounds by up to 18 dB, so whether you’re walking down a busy street, or sitting in the middle seat on an airplane, you can listen to your favorite music, podcasts, or binge-worthy TV series in vivid sonic fidelity.

Flexible connectivity

Designed to be used wired or wirelessly, Eris HD10BT headphones provide touch controls to quickly pair your Bluetooth device, wirelessly start and stop audio, adjust the volume, and navigate to your favorite track. With up to 16 hours of battery life, the Eris HD10BT headphones will let you listen comfortably all day long. The included cable lets you connect your Eris HD10BT headphones to your audio interface, mixer, or computer. A built-in microphone and basic call function even let you answer the phone without missing a beat.

Get personal space—even in a crowd

Long commutes and plane rides are the ideal time to catch up on audiobooks, podcasts, and your watch list, but noisy companions can get in the way of enjoying your downtime. Active Noise Canceling turns your Eris HD10BT headphones into your own private listening environment. ANC can be activated with or without Bluetooth, so you can use it whenever and wherever you need it. The included hardshell case holds your Eris HD10BT plus its included cables and adapter, so your headphones are ready to fit in your carry-on, purse, or backpack—take studio sound with you wherever you go.

Eris E3.5 BT: Active Media Reference Monitors with Bluetooth

PreSonus® Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E3.5 BT employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they’re compact enough to fit almost anywhere.

Clean overall sound, smooth high end, and a wide sweet spot

Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E3.5 BT’s 3.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide pattern, creating a large optimal listening area or “sweet spot” so you can move around and still hear an accurate stereo image. With 25 watts per side of onboard power, the Eris BT-series monitor speakers pack a serious punch, while still delivering clear, accurate audio.

Easy-to-use controls.

A speaker’s response is affected by where you place it and the acoustics of your space. That’s why Eris E3.5 BT active media reference monitors offer controls to adjust the high- and low-frequency content, so your Bluetooth speakers always sound their best. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier’s level.

Convenient wireless Bluetooth connectivity.

With four different types of audio inputs, it’s easy to feed audio to your Eris E3.5 BT monitors from almost any source. Fast, reliable, stereo Bluetooth 5.0 connectivity lets you go wireless, streaming sound from a smartphone, tablet, laptop, or other Bluetooth source. Play games, listen to music, and even create content, with no wires except power cables. When you want a wired connection—say, from a computer, turntable, TV, or other line-level source—the Eris E3.5 BT has you covered with rear-panel, left and right ¼-inch TRS and RCA inputs and front-panel 1/8” stereo inputs. A loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Eris E4.5 BT: Active Media Reference Monitors with Bluetooth

PreSonus® Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E4.5 BT employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they’re compact enough to fit almost anywhere.

Clean overall sound, smooth high end, and a wide sweet spot

Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E4.5 BT’s 4.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide pattern, creating a large optimal listening area or “sweet spot” so you can move around and still hear an accurate stereo image. With 25 watts per side of onboard power, the Eris BT-series monitor speakers pack a serious punch, while still delivering clear, accurate audio.

Easy-to-use controls.

A speaker’s response is affected by where you place it and the acoustics of your space. That’s why Eris E4.5 BT active media reference monitors offer controls to adjust the high- and low-frequency content, so your Bluetooth speakers always sound their best. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier’s level.

Convenient wireless Bluetooth connectivity.

With four different types of audio inputs, it’s easy to feed audio to your Eris E4.5 BT monitors from almost any source. Fast, reliable, stereo Bluetooth 5.0 connectivity lets you go wireless, streaming sound from a smartphone, tablet, laptop, or other Bluetooth source. Play games, listen to music, and even create content wirelessly. When you want a wired connection—say, from a computer, turntable, TV, or other line-level source—the Eris E4.5 BT has you covered with rear-panel, left and right ¼-inch TRS and RCA inputs and front-panel 1/8” stereo inputs. A loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

PX-1: Large Diaphragm Cardioid Condenser Microphone

Designed for musicians and performers who demand outstanding audio quality, the PreSonus PX-1 cardioid condenser microphone is an ideal solution for recording vocals, guitar, podcasts, and much more. A true large-diaphragm condenser microphone, the PX-1 features a 25mm, gold-sputtered capsule designed to provide exceptional clarity throughout its frequency response range. Rugged construction and top-quality performance specifications make the PX-1 large diaphragm microphone an excellent addition for any home recording or streaming studio.

PM-2: Stereo Pair of Small-Diaphragm Cardioid Condenser Microphones

Ideal for stereo recordings of acoustic instruments, drum overheads, ensembles and more, the PreSonus PM-2 stereo microphone set provides the tools you need to create professional results. Each PreSonus PM-2 small-diaphragm cardioid condenser microphone is equipped with a ¾” gold-sputtered capsule housed in an ultra-light chassis, making it easier to perfectly position your microphones without fighting gravity. Sold as a sonically matched pair, the PM-2 comes equipped with a stereo bar for XY mic placement. PM-2 microphones can be used together or individually, making them an excellent addition for any home or professional recording environment.

The Radial SW8-USB is a streamlined solution for employing redundant playback systems on stage, with dual USB inputs that allow you to connect directly to your primary and backup computers, providing eight channels of high quality audio and peace of mind during a live performance. ( ONLY FOR MAC OS )

• Switch between redundant playback systems
• Two USB inputs eliminates the need for additional audio interfaces
• Manual or seamless automatic switching
• Line level or transformer-isolated mic level outputs
• Synchronize both playback systems using MTC

The all-in-one backing track solution

The SW8-USB is the complete solution for performances that utilize redundant playback systems for backing tracks, combining two built-in high performance USB interfaces with an auto-switching feature that detects dropouts and effortlessly switches to the backup computer in an instant. Dual USB inputs with separate 24bit/192kHz converters allow two computers to be connected in tandem, so digital workstations on both machines can connect to the SW8-USB as an audio and MIDI interface. Start/stop synchronization is also possible between both computers through MTC, ensuring flawless switching between playback rigs with less equipment than ever.

High quality sound with Sony digital audio processing

•  NFC SYNC function for quick and easy secure channel setting (IR sync capability with UTX-B40 transmitter from URX-P03, URX-P03D, and URX-S03D receivers)
•  True double tuner diversity for stable signal reception
•  Auto gain mode volume control
•  +15 dB gain volume boost mode for off-mic audio
•  Line input
•  Channel memory for fast switching between receiver frequencies for two transmitter operation
•  Transmitter frequency sent to receiver for matching multiple receivers to one transmitter
•  Headphone output for monitoring
•  Monitor mode for using a receiver as an ear monitor
•  Variable muting function
•  Compatibility with Sony WL-800/UWP/UWP-D series
•  Receiver output level control
•  High visibility OLED display, ideal for indoor/outdoor use
•  USB connector for power supply
•  Digital audio interface support with SMAD-P5 Multi Interface (MI) Shoe Adaptor (option)*

Digital Audio Processing for High Quality Sound

Advanced digital audio processing technology by Sony assures high quality sound with improved transient response performance. A new [optional] digital audio interface enables direct digital sound recording with many Sony professional camcorders and Alpha interchangeable lens cameras via the SMAD-P5

• 1x URX-P40 New UWP-D portable receiver, TV-channel 33-41, 566,025-630,000 MHz, Digital Audio Interface compatible, NFC Sync

• 1x UTX-M40 New UWP-D Handheld microphone transmitter, TV-channel 33-41, 566,025-630,000 MHz, Digital Audio Processing technology, NFC Sync

High Quality Sound with Digital Audio Processing

Beautiful pictures deserve sound to match

As high-resolution content becomes the norm, video producers need to match beautiful pictures with sparkling sound to create an immersive experience for audiences.

Our new UWP-D Series lets content creators capture pristine audio – quickly, reliably and with less fuss.

The compelling solution for ENG/EFP, sport events, documentaries, and weddings, UWP-D offers superb sound quality, reliable RF transmission with true diversity reception and friendly features.

Effortless set-up

Focus on your subject, not on fiddly set-up. Our unique NFC SYNC function allows fast, easy channel setting at a touch.

Crisp, precise transients

Powerful digital audio processing technology realises high-quality sound with significantly improved

transient response. While analogue companding systems struggle to reproduce rapid transient sounds like a bell or golf tee shot, UWP-D reproduces them effortlessly.

• 1x URX-P40 Portable Receiver
• 1x UTX-B40 Belt Pack
• 1x UTX-P40 Plug On
• 1x Lavalier Microphone

The URX-P40 features a digital audio interface that bypasses A/D and D/A conversion stages, enabling direct digital recording with the SMAD-P5 Multi-Interface shoe adaptor and compatible Sony XDCAM camcorders.

* Requires SMAD-P5 MI shoe adaptor and compatible Sony XDCAM camcorders.

The SMAD-P5 Multi Interface (MI) Shoe Adaptor allows convenient, cable-free connection of the URX-P40 wireless receiver to compatible camcorders or interchangeable-lens cameras featuring an MI (Multi Interface) shoe. Audio signals are transmitted directly from the wireless receiver to the camera with no need for connecting cables. The adaptor also supports direct digital audio recording with compatible camcorders, bypassing A/D and D/A conversion stages to deliver high sound quality with low noise. The SMAD-P5 allows the wireless receiver to draw power from the camcorder via the MI shoe, while receiver power ON/OFF can be controlled directly from the camera.

The SMAD-P5 is applicable to XDCAM Camcorder PXW-FX9, PXW-FS7, PXW-FS7II, PXW-FS5, PXW-FS5K, PXW-Z280/Z190, PXW-X280/X200*, PXW-X180/X160, PXW-Z150**, PXW-Z90 and PXW-X70, NXCAM Camcorder HXR-NX5R, HXR-NX80, HXR-MC2500 and HXR-MC88, Handycam FDR-AX60 and NEX-VG30E, interchangeable lens digital camera α7II, α7III, α7RII, α7RIII, α7RIV, α7S, α7SII, α9 and α99II with analog output setting. Digital connection is available with PXW-FX9, PXW-Z280/Z190 and α7RIV. PXW-FX9 and PXW-Z280/Z190 can show the wireless microphone status on the LCD or viewfinder. (as of September 2019)

*PXW-X200 firmware should be upgraded to Ver.2.00 or later for using SMAD-P5.

**When using with PXW-Z150 operated by AC power, please set a battery on the camera. Without a battery, we do not guarantee the power supply function or power ON/OFF control function. In that case, insert new AA alkaline batteries in the receiver and set the receiver’s power select (PWR SOURCE) menu item to BATT ONLY mode to avoid an unexpected shutdown of the camera or data loss.

2028 Supercardioid Vocal Mic, Wired DPA Handle, Black

• Renowned DPA sound
• Natural vocals – from folk to metal
• Reduces feedback issues
• Rugged enough for the live stage
• Uniform supercardioid directionality
• Extreme SPL handling

Dynamic range Typ. 117 dB

Max. SPL, peak before clipping 160 dB

2028-B-SE2 Supercardioid Vocal Condenser Microphone Capsule with SE2 Adapter from DPA is designed for the unique challenges of live stage performances. It can be used when paired with a Sennheiser 2000, 6000, 9000, or evolution series transmitter. Black.

DPA Microphones 2028-B-SL1 Supercardioid Vocal Condenser Microphone Capsule with SL1 Adapter (Black)

• For Shure, Sony & Lectrosonics Systems
• For Live Vocal Performance
• Supercardioid Polar Pattern

The T10S is a powerful yet compact active subwoofer, designed to extend the bass response of any nearfield studio monitor. However, the subwoofer’s performance, features and connectivity are engineered specifically to complement ADAM Audio’s T5V and T7V speakers.

Equipped with a down-firing 10˝ woofer and a 130 W Class-D amplifier, the T10S’ frequency response ranges from 28 Hz to 120 Hz and offers an impressive max. SPL of 104 dB. An internal adjustable two-channel crossover allows calibration of the bass signal and provides optimal performance of the total system. The options at the rear of the subwoofer allow for varied adjustments which compensate for room acoustics or they offer more control for satellites attached.

While reciting the T Series design language, the T10S is one of the most compact subwoofers in its class, which allows it to be easily integrated in any studio environment. The acoustic performance was optimized by four high grade flexible rubber feet that prevent the sound from exciting the floor and a spacious rear facing bass reflex port for an optimized airflow.

Amp. Power RMS: 130 W

Frequency Response: 28 Hz - 120 Hz

Max. SPL at 1 m: ≥104 dB

Optimized for T Series studio monitors

The Evolution of the Digital Mixer - Small digital mixer. Big power.

The StudioLive 32SC is a compact, rack-mountable 32-channel digital mixer that can be quickly and easily scaled for 16-, 24-, and 32-channel applications. Don't let the road-ready size fool you; the StudioLive 32SC sports a dual-core PreSonus FLEX DSP Engine powering 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording and AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32SC provides all the tools you need—whether you’re building your dream studio or putting together a pro touring rig.

 (delivery May-June 2019)

The scalable digital mixer.

The StudioLive 32SC digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required and complete your 32-channel, 16-bus StudioLive 32SC. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching on your StudioLive 32SC digital mixer and in UC Surface remote mixer software.

Superior sound.

We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32SC digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SC mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SC mixer scene, the mic preamp trim values can also be recalled along with the other settings.

The mobile music recording studio.

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SC digital mixer or on your Mac or Windows computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.

The best music recording software… included.

Studio One revolutionized music recording, making common mixing and production tasks as easy as drag-and-drop. Tight integration with StudioLive 32SC digital mixers allows you to control preamp levels and more right from the Studio One software console. Press the DAW button on your StudioLive 32SC, and your Studio One controls are right under your fingertips on your digital mixer. Studio One control can be toggled on and off, allowing you to quickly switch between your live mix and your production mix with the press of a button. Studio One Artist is included with the StudioLive 32SC, so you can start recording right out of the box.

The digital mixer built to record music.

With 128 (64x64) channels of recording over USB, you can record every input channel and bus on your StudioLive 32SC for the ultimate recording rig. Each channel can independently access its analog input or its dedicated digital return from your computer. Ten vintage EQ and classic compressor Fat Channel plug-in models are included and can be used onboard your mixer, as well as within Studio One. And when you’re ready for more signal processing options, PreSonus offers four Fat Channel plug-in collections with 15 additional models. Fat Channel plug-ins can be inserted on every input channel and output bus, giving you extensive, studio-style processing while mixing and recording.

Includes Studio Magic Plug-in Suite.

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

Remote control your digital mixer from anywhere—on any device.

PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 32SC digital mixer, remotely controlling your mix from anywhere just got easier.

The bus that takes you everywhere.

Everyone has a unique mixing style, so PreSonus designed the StudioLive 32SC to be configured to work the way you like to mix. The 16 FlexMixes in the StudioLive 32SC digital mixer can be individually configured to function as aux buses, subgroups, or matrix mixes. Four designated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. Inputs and buses can be freely routed internally, out to your AVB network, and over the USB bus, allowing you to customize your StudioLive 32SC to fit your needs—even when those needs change.

A complete networked solution.

StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Designed to enhance each other, these products are at the forefront of AVB networking technology. The StudioLive 32SC’s integrated AVB networking allows you to expand your mixer as your needs grow. Add NSB-series stage boxes to add analog inputs and outputs. Route audio to EarMix 16M personal monitor mixers for customized mixes on stage. With powerful plug-in processing, advanced recording features, and flexible mix buses, the StudioLive 32SC is the best digital mixer for mobile live sound and recording music.

Power meets efficiency.

Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive mixers famous, the StudioLive 32SX is the perfect compact 32-channel digital mixing solution. Powered by the dual-core PreSonus FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.

 (delivery May-June 2019)

The scalable digital mixer.

The StudioLive 32SX digital mixer and the complete PreSonus StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Connect a StudioLive 32R to use as a remote stage box or monitor mixer. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network thanks, to the flexibility of Digital Patching onboard your StudioLive 32SX digital mixer and in UC Surface remote mixer software.

Superior sound.

We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32SX digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SX mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SX mixer scene, the mic preamp trim values can also be recalled along with the other settings.

Record music with or without a computer.

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SX digital mixer or on your Mac® or Windows® computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple and hassle-free so you can focus on mixing the show.

The best music recording software… included.

Studio One revolutionized music recording, making common mixing and production tasks as easy as drag-and-drop. Tight integration with StudioLive 32SX digital mixers allows you to control preamp levels and more right from the Studio One software console. Press the DAW button on your StudioLive 32SX, and your Studio One controls are right under your fingertips on your digital mixer. Studio One control can be toggled on and off, allowing you to quickly switch between your live mix and your production mix with the press of a button. Studio One Artist is included with the StudioLive 32SX, so you can start recording right out of the box.

Remote control your digital mixer from anywhere—on any device.

PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 32SX digital mixer, remotely controlling your mix from anywhere just got easier.

Flexible mixing for studio and stage.

The StudioLive 32SX was designed to fit well in any application. Its 16 FlexMixes can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Four designated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. Inputs and buses can be freely routed internally, out to your AVB network, and over the USB bus, allowing you to customize your StudioLive 32SX for your unique mixing style.

The best USB audio interface for mixing.

With 128 (64x64) channels of recording over USB, you can record every input channel and bus on your StudioLive 32SX for the ultimate recording rig. Each channel can independently access its analog input or its dedicated digital return from your computer. Ten included vintage EQ and classic compressor Fat Channel plug-in models can be used onboard your mixer as well as within Studio One. And when you’re ready for more signal processing options, PreSonus offers four Fat Channel plug-in collections with 15 additional models. Fat Channel plug-ins can be inserted on every input channel and output bus, giving you extensive, studio-style processing while mixing and recording.

A complete networked solution.

StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Designed to enhance each other, these products are at the forefront of AVB networking technology. Connect to StudioLive Series III rack mixers and add a dedicated monitor mixer. Route audio to EarMix 16M personal monitor mixers for customized mixes on stage. With powerful plug-in processing, advanced recording features, and a full complement of analog I/O in a compact chassis, the StudioLive 32SX is an ideal centerpiece for sound systems of any size.

The small-format mixer with one-to-one control

The StudioLive 32S is a powerful 32-channel mixer that provides the ultimate mixing experience, packing large format features into a small format chassis. Powered by the dual-core PreSonus FLEX DSP Engine, the StudioLive 32S digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems, and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording, 128 channels of AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32S delivers a fast and intuitive, surface-driven workflow for total control. Spend less time menu-diving and more time mixing—hands-on.

(delivery May-June 2019)

The scalable digital mixer.

The StudioLive 32S digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required. Network with a StudioLive Series III rack mixer and add a dedicated monitor mixer. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network, thanks to the flexibility of Digital Patching onboard your StudioLive 32S digital mixer and in UC Surface remote mixer software.

The best digital mixer for recording - with or without a computer.

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32S digital mixer or on your computer running macOS® or Windows®. Record any combination of channels, FlexMixes, and the Main stereo mix via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One® with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.

Superior sound.

We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32S digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32S mic preamps to be remote-controlled with UC Surface software or Studio One, and when you load a StudioLive 32S mixer scene, the mic preamp trim values can also be recalled along with the other settings.

Vintage studio processors onboard.

The dynamic Fat Channel on the StudioLive 32S digital mixer puts critical EQ and Dynamics functions beneath your fingertips while giving you fast access to every parameter. Ten included vintage EQ and classic compressor Fat Channel plug-in models can be used onboard your mixer as well as within Studio One. And when you’re ready for more signal processing options, PreSonus offers four Fat Channel plug-in collections with 15 additional models. Fat Channel plug-ins can be inserted on every input channel and output bus. Now you can enjoy extensive, studio-style processing whether recording in the studio or running shows on the road.

Flexible mixing without limits.

PreSonus designed the StudioLive 32S digital mixer to adapt with your changing needs, whether you’re mixing in the studio or on a busy festival stage. The 16 FlexMixes on the StudioLive 32S digital mixer can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Four designated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. No other digital mixer provides this much flexibility

Reconfigure your mix without unplugging a cable.

StudioLive Series III digital mixers incorporate the concept of an analog patchbay and digitize it. This lets you customize your mix configuration by patching any analog input or digital return (AVB, USB, or SD Card) to any channel you like. This flexible feature also allows you to freely route audio to your AVB network and record any of the inputs and FlexMixes on the 64 USB sends. Digital Patching also makes it easy to quickly route to and source from your AVB audio network when using the StudioLive 32S as part of a complete networked audio system. And with a fader for all 32 channels, plus 8 additional faders to manage your bus outputs, you always have total control of your entire mix.

The ultimate USB audio interface and control surface.

With 128 (64x64) channels of recording over USB, the StudioLive 32S is not just the best digital mixer for live sound recording; it’s the best digital mixer for the studio, as well. Each channel can independently access its analog input or its dedicated digital return from your computer. While the StudioLive 32S is compatible with any DAW, Studio One and the StudioLive 32S are the perfect pair to elevate your studio recording environment. Remote control your StudioLive 32S digital mixer’s recallable XMAX mic preamps and Fat Channel processing from Studio One Artist. Press the DAW button on your StudioLive 32S digital mixer and use the 33 touch-sensitive motorized faders to control your Studio One mix. Seamless integration and thoughtful bidirectional control with Studio One make the StudioLive 32S the best mixing console for the modern recording studio.

World-class recording software included.

PreSonus Studio One® Artist DAW is included with the StudioLive 32S. Studio One seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can spend your precious time creating music instead of wondering what to click next.

Remote control your digital mixer from anywhere… on any device.

PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 32S digital mixer, remote controlling your mix from anywhere just got easier.

A complete networked solution.

The StudioLive 32S is the flexible cornerstone for a custom AVB network that is easily expanded and quickly configured. Designed to complement each other, StudioLive Series III networked products form an ecosystem that is at the forefront of AVB networking technology. Route audio to EarMix 16M personal monitor mixers. Connect NSB-series stage boxes and StudioLive Series III rack mixers to add remote inputs and outputs. With powerful plug-in processing, a fader for every channel, and integrated networking onboard, the StudioLive 32S delivers an unmatched mixing experience that combines digital power with analog ease of use.

Includes Studio Magic Plug-in Suite.

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

Your Best Friend!

The StudioLive 64S is a 64-channel mixer that brings the power of a large format console to small format digital mixing. Powered by the new quad-core PreSonus FLEX DSP Engine, the StudioLive 64S digital mixer is equipped with 76 mixing channels, 43 mix buses, and 526 simultaneous processors—including 8 stereo reverberation systems, and Fat Channel plug-in models on every input channel and mix bus. With 128 (64X64) channels of USB recording, 128 channels of AVB I/O, flexible routing options, and the studio-grade audio quality that made StudioLive mixers famous, the StudioLive 64S delivers a truly exceptional mixing experience that's in a class of its own.

 (delivery May-June 2019)

The scalable digital mixer.

The StudioLive 64S digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required and complete your 64-channel, 32-bus StudioLive 64S. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mix. Multiple StudioLive Series III digital mixers can be networked together, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching available both onboard your StudioLive 64S digital mixer and inside UC Surface remote mixer software.

The best digital mixer for recording—with or without a computer.

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 64S digital mixer or on your Mac® or Windows® computer. Record any combination of channels, FlexMixes, and the main stereo mix to USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up Virtual Soundchecks. Best of all, Capture sessions open natively in Studio One® with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more to launch your live mix right where you left it. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.

Superior sound.

We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 64S digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 64S mic preamps to be remote-controlled with UC Surface software or Studio One, and when you load a StudioLive 64S mixer scene, the mic preamp trim values can be recalled along with the other settings.

Create the buses and groups you need.

PreSonus designed the StudioLive 64S digital mixer to adapt to your changing needs, whether you’re mixing in the studio or on a busy festival stage. Its 32 FlexMixes can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Eight designated effects buses plus stereo and mono main buses make a total of 43 mix buses in addition to an independent solo bus. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. The independent Main Mono bus can be configured with individual channel sends to feed a subwoofer or as the center channel in an LCR system, complete with a Center Divergence control on each channel to more precisely place your pan positions.

Reconfigure your mix without unplugging a cable.

StudioLive Series III digital mixers incorporate the concept of an analog patchbay and digitize it. This lets you patch any analog input or digital return (AVB, USB, or SD Card) to any channel to customize your mix configuration. This flexible feature also allows you to freely route audio to your AVB network and record any of the inputs and FlexMixes on the 64 USB sends. Digital Patching also makes it easy to quickly route to and source from your AVB audio network when using the StudioLive 64S as part of a complete networked audio system.

The ultimate USB audio interface and control surface.

With 128 (64x64) channels of recording over USB, the StudioLive 64S is not just the best digital mixer for live sound recording; it’s the best digital mixer for the studio as well. Each channel can independently access its analog input or its dedicated digital return from your computer. While compatible with any DAW, Studio One and the StudioLive 64S are the perfect pair to elevate your studio recording environment. Remotely control your StudioLive 64S digital mixer’s recallable XMAX mic preamps and Fat Channel processing from Studio One Artist. Press the DAW button on your StudioLive 64S digital mixer and use the 33 touch-sensitive motorized faders to control your Studio One mix. Seamless integration and thoughtful bidirectional control with Studio One make the StudioLive 64S the best mixing console for the modern recording studio.

World-class recording software included.

PreSonus Studio One® Artist DAW is included with the StudioLive 64S. Studio One seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can spend your precious time creating music instead of wondering what to click next.

Fat Channel plug-ins bring your mix to life for stage or studio.

The dynamic Fat Channel on the StudioLive 64S digital mixer puts critical EQ and dynamics processing beneath your fingertips while giving you fast access to every parameter. The ten included vintage EQ and classic compressor Fat Channel plug-in models can be used onboard your mixer, as well as within Studio One. And when you’re ready for more options, PreSonus offers four Fat Channel plug-in collections with 15 additional models from which to choose, giving you a host of new signal processing options. Fat Channel plug-ins can be inserted on every input channel and output bus. Now you can enjoy extensive, studio-style processing whether recording in the studio or running shows on the road.

Remote control your digital mixer from anywhere, on any device.

PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 64S digital mixer, remotely controlling your mix from anywhere just got easier.

A complete networked solution.

The StudioLive Series III ecosystem of networked products are at the forefront of AVB networking technology. Designed to complement each other, the ecosystem is easily expanded and quickly configured. The StudioLive 64S is your command center to create the ultimate AVB network. Route audio to EarMix 16M personal monitor mixers. Control the gain staging and add up to 64 inputs using NSB-series stage boxes and other StudioLive Series III digital mixers. With powerful plug-in processing, a plethora of mix buses, and integrated networking onboard, the StudioLive 64S brings the large format mixing experience to the compact desktop digital mixer.

Get Connected.

The back panel of a StudioLive 64S digital mixer is equipped with plenty of local analog I/O. 32 local analog mic/line channel inputs make it easy to connect a variety of gear. 16 local mix outputs let you route to floor monitors, delay stacks and more. But the local I/O is only half the story. Connect your StudioLive 64S digital mixer to an AVB audio network and add remote inputs and outputs anywhere you need them using NSB-series stage boxes.

Includes Studio Magic Plug-in Suite.

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

With XT-1 your guitar will sound like the finest guitars of your dreams.

It’s not midi, and it’s not sampling: it’s a innovative technology never seen before.
We call it Smart Tone Shaping (STS – our patented technology), and it allows you to perfectly emulate the tone of any guitar of your choice, allowing you to play naturally, with no latency or digital artifacts.
Keep playing your own guitar, but enjoy the freedom of a whole world of tones.

First, connect your personal axe to XT-1 and create a guitar profile in a minute.
Just play a special chromatic scale, 6 notes per string, covering a relevant portion of the guitar extension range (see pedal instructions for tutorial).

Then, choose your favourite guitars from XT-1’s pre-loaded sounds and start playing: rock the house with the sound of legendary electric guitars, like a Gibson SG 1973 or a Musicman Axis, and then swich with a stomp to a superb acoustic guitar, like a Martin D35 or a Gibson J200! It’s up to you, and choices are endless!

CHECK THIS VIDEO

CHARACTERISTICS
N/S ratio > 108 dB
48k/96k Hz – 32 bit
True Bypass

CONNECTION
1/4 inch In
1/4 inch Out
1/4 inch Balanced output

DIMENSIONS
147 x 128 x 68

POWER
9V DC (center-negative)

12 PRE-LOADED GUITARS
Musicman®️ Axis | neck, mid, bridge
Fender® Stratocaster® | neck, mid, bridge
Fender® Mustang® | neck, mid, bridge
Martin®️ D35 | mic’d
Gibson® 335 | neck, mid, bridge
Benedetto® ‘Bambino’ Archtop | neck
PRS®️ Santana®️ | neck, mid, bridge
Gibson®️ 175 | neck, mid, bridge
Gibson®️ SG 1974 | neck, mid, bridge
Gibson®️ J200 | mic’d
Gibson®️ LesPaul®️ | neck, mid, bridge
Fender®️ Telecaster®️ ’64 | neck, mid, bridge

CUSTOM APP
Moreover, the wish of innovation brought SIM1 to design and develop an application, with a very intuitive interface, for IOS and Android Systems.
This app will allow you to connect your smartphone or tablet to the SIM1- XT1 pedal, via Wi-Fi connection*, in order to:
– change the tones position in the pedal
– share your tone and download other users tone for free
– test and purchase new sounds from the SIM1 Guitar Store
– transfer these sounds to the pedal
‘Sim1 Guitar’ App now available on Apple Store and Google Play.
*Requires (Optional) WiFi USB adapter EW-7811Un

Radial KL-8 Rackmount Keyboard Mixer

Ultimate Keyboard Control

The KL-8 is a rackmount keyboard mixing station designed to provide complete control over a professional keyboard setup, both on-stage and in the recording studio.

Four stereo analog inputs for keyboards

Redundant USB connections for laptop soft-synths

Stereo Aux Send/Receive with optional footswitch control

Headphone outputs and cue switches for silent monitoring

Link multiple KL-8s for larger setups

Put yourself in control of the mix

The KL-8 is a powerful mixing station created with keyboard pros in mind, with a number of features designed specifically to streamline and enhance any keyboard setup. You can connect up to four keyboards in mono or stereo, with level controls, aux sends, and LED indicators for each. A stereo aux send/receive is available to feed rackmount reverbs and delays and effects pedals, or it can be used as an additional input for a fifth keyboard. MIDI and USB connections make it easy to control a laptop soft-synth, utilizing high quality 24bit/192kHz digital audio converters. The KL-8 also features multiple output options, with transformer-isolated XLR main outputs to feed the PA, monitor outputs for a set of speakers on stage, and dual headphone outputs for local monitoring and testing.

Redundant USB inputs

When you can't afford to have a break in the performance due to laptop failure, the KL-8 allows you to set up redundant laptop systems and seamlessly transition from one to another. A secondary USB input on the KL-8 allows you to keep your backup laptop at the ready - when failure occurs simply hit the USB select switch on the front panel or use the optional JR-1L remote footswitch to instantly switch to the backup system.

Silent cueing and monitoring via headphones

A built in headphone amp and dual 1/4" TRS outputs give you the option to practice and record silently, or cue up individual inputs on stage without feeding signal out to the audience over the PA system. Each input channel on the KL-8 is accompanied by a Cue switch that will remove that input from the main and monitor outputs and reroute it directly to the headphones, so you can easily adjust patch settings and test playback over USB without affecting the performance.

USB-C audio interface with two front panel mic/line/instrument inputs with PreSonus XMAX-L solid-state mic preamps; 24-bit, up to 192 kHz recording; up to 2 in, 2 out; MIDI I/O; USB bus-powered; USB-C to USB-C and USB-C to USB-A cables included; Studio One® Artist and Studio Magic Plug-in Suite included.

● USB-C bus-powered, 2x2 audio interface with MIDI for macOS® and Windows®

 ● 24-bit resolution; 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates

● 2 mic/instrument/line inputs with XMAX-L solid-state mic preamps

● +48V phantom power (global)

● 2 balanced ¼” TRS main outputs with front-panel level control

● 4 ladder-style LED level meters (2 input, 2 main output)

● Stereo headphone output

● Mixer knob for low-latency direct input monitoring

● Kensington lock security hole

● Studio One® Artist and Studio Magic Plug-in Suite included

● USB-C to C and USB-C to A cables included

High-definition, bus-powered, mobile audio interface with USB-C connectivity; two front panel mic and switchable line/instrument inputs with XMAX-L solid-state mic preamps; 24-bit, up to 192 kHz recording; up to 2 in, 4 out; Cue Mix A/B function that toggles between two mixes while monitoring through headphones—perfect for DJs or to listen in on a performer’s monitor mix;

MIDI I/O; USB-C to USB-C and USB-C to USB-A cables included; Studio One Artist and Studio Magic Plug-in Suite included.

● USB-C bus-powered, 2x4 audio interface with MIDI

 ● 24-bit resolution; 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates

● 2 mic/instrument/line inputs with XMAX-L solid-state mic preamps

● +48V phantom power (global)

● 2 balanced ¼” TRS line outputs for monitor mixing

● 2 balanced ¼” TRS main outputs with front-panel level control

● 4 ladder-style LED level meters (2 input, 2 main output)

● Stereo headphone output with Cue Mix A/B

● Direct monitoring

● MIDI I/O

● USB-C to USB-C and USB-C to USB-A cables included

● Studio One® Artist and Studio Magic Plug-in Suite included

Audio interface with USB-C connectivity; two front panel mic and switchable line/instrument inputs with XMAX mic preamps; 2 rear-panel mic/line inputs with XMAX preamps; 24-bit, up to 192 kHz recording; up to 6 in, 6 out (4x4 at 192 kHz); Cue Mix A/B function that toggles between two mixes while monitoring through headphones— and to listen in on a performer’s monitor mix; MIDI and S/PDIF I/O; USB-C to USB-C and USB-C to USB-A cables included; Studio One Artist and Studio Magic Plug-in Suite included.

● 6x6 USB-C audio interface with MIDI (4x4 at 192 kHz)

 ● 24-bit resolution; 44.1, 48, 88.2, 96, 176.4, and 192 kHz sampling rates

● 2 mic/instrument/line inputs with XMAX Class A mic preamps

● 2 mic/line inputs with XMAX Class A mic preamps

● +48V phantom power (global)

● 2 DC coupled, balanced, ¼” TRS line outputs for monitor mixing

● 2 DC coupled, balanced, ¼” TRS main outputs with front-panel level control

● 6 ladder-style LED level meters (4 input, 2 main output)

● Stereo headphone output with Cue Mix A/B

● Direct monitoring

● MIDI I/O

● USB-C to USB-C and USB-C to USB-A cables included

● Studio One® Artist and Studio Magic Plug-in Suite included

Designed for creative electronic music production with Superior sound.

The Studio 1810c audio interface operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus’ professional-grade XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

Ideal for producers and small bands who want to record audio from a wide range of sources, the Studio 1810c 192 kHz USB-C™ compatible audio interface records up to 18 simultaneous inputs, including ADAT and S/PDIF, and features PreSonus® XMAX mic preamps, DC-coupled line outputs, and MIDI I/O. A complete, all-in-one recording package, the Studio 1810c offers control-room integration with included Studio One® Artist music production software and free UC Surface control software and is backward compatible with USB 2.0 and 3.0 connections.

World-class recording software included.

Seamlessly integrated with the included PreSonus UC Surface control software for macOS®, Windows®, iPad®, and Android™ tablet and Studio One Artist music production software, the Studio 1810c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.

Take the tour.

The 18-in, 8-out Studio 1810c audio interface features USB-C™ compatible computer connectivity and records up to 18 simultaneous inputs, including 4 microphone inputs with XMAX mic preamps, 4 dedicated line inputs, 8 channels of ADAT Optical input (4 channels at 96 kHz), and S/PDIF inputs. In addition to the main L/R outputs, you get four DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs with A/B switching for monitoring different mix streams. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

High-definition audio interface featuring USB-C connectivity; 8 microphone inputs with XMAX Class A preamps; 8 channels of ADAT Optical input and output; up to 24-bit/192 kHz recording; 18 simultaneous inputs and outputs (8x8 recording at 192 kHz); 18x18 DSP monitor mixer for flexible routing and zero-latency monitor mixing; control-room integration with included Studio One® Artist and UC Surface software; S/PDIF I/O, and MIDI I/O; Studio Magic Plug-in Suite included.

● 24-bit/192 kHz, USB-C 18x18 1U rack mounted audio interface (8x8 at 192 kHz)

 ● 2 mic/instrument/line inputs and 6 mic/line inputs all with XMAX Class A mic preamps and +48V phantom power

● 8 channels of ADAT Optical I/O (4 channels at 96 kHz)

● 2 ¼” TRS balanced main outputs with front-panel level control and dedicated Mute and Mono buttons (duplicate line outs 1/2)

● 8 ¼” TRS balanced DC coupled line outputs

● 2 stereo headphone outputs with independent mix streams

● LED metering on all analog inputs and main outs

● S/PDIF I/O

● MIDI I/O

● BNC word clock output

● Flexible routing, zero-latency monitor mixing, and control-room integration with included Studio One Artist

● Monitor mix control with free UC Surface for macOS®, Windows®, iPad®, and Android™

● USB-C to USB-C and USB-C to USB-A cables included

● Studio Magic Plug-in Suite included