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PRE-SL32SC
StudioLive 32 SC console

The Evolution of the Digital Mixer - Small digital mixer. Big power.

 

 

The StudioLive 32SC is a compact, rack-mountable 32-channel digital mixer that can be quickly and easily scaled for 16-, 24-, and 32-channel applications. Don't let the road-ready size fool you; the StudioLive 32SC sports a dual-core PreSonus FLEX DSP Engine powering 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording and AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32SC provides all the tools you need—whether you’re building your dream studio or putting together a pro touring rig.

 

 (delivery May-June 2019)

 

The scalable digital mixer.

 

The StudioLive 32SC digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required and complete your 32-channel, 16-bus StudioLive 32SC. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching on your StudioLive 32SC digital mixer and in UC Surface remote mixer software.

 

Superior sound.

 

We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32SC digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SC mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SC mixer scene, the mic preamp trim values can also be recalled along with the other settings.

 

The mobile music recording studio.

 

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SC digital mixer or on your Mac or Windows computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.

 

The best music recording software… included.

 

Studio One revolutionized music recording, making common mixing and production tasks as easy as drag-and-drop. Tight integration with StudioLive 32SC digital mixers allows you to control preamp levels and more right from the Studio One software console. Press the DAW button on your StudioLive 32SC, and your Studio One controls are right under your fingertips on your digital mixer. Studio One control can be toggled on and off, allowing you to quickly switch between your live mix and your production mix with the press of a button. Studio One Artist is included with the StudioLive 32SC, so you can start recording right out of the box.

 

The digital mixer built to record music.

 

With 128 (64x64) channels of recording over USB, you can record every input channel and bus on your StudioLive 32SC for the ultimate recording rig. Each channel can independently access its analog input or its dedicated digital return from your computer. Ten vintage EQ and classic compressor Fat Channel plug-in models are included and can be used onboard your mixer, as well as within Studio One. And when you’re ready for more signal processing options, PreSonus offers four Fat Channel plug-in collections with 15 additional models. Fat Channel plug-ins can be inserted on every input channel and output bus, giving you extensive, studio-style processing while mixing and recording.

 

Includes Studio Magic Plug-in Suite.

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

 

Remote control your digital mixer from anywhere—on any device.

 

PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 32SC digital mixer, remotely controlling your mix from anywhere just got easier.

 

The bus that takes you everywhere.

 

Everyone has a unique mixing style, so PreSonus designed the StudioLive 32SC to be configured to work the way you like to mix. The 16 FlexMixes in the StudioLive 32SC digital mixer can be individually configured to function as aux buses, subgroups, or matrix mixes. Four designated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. Inputs and buses can be freely routed internally, out to your AVB network, and over the USB bus, allowing you to customize your StudioLive 32SC to fit your needs—even when those needs change.

 

A complete networked solution.

 

StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Designed to enhance each other, these products are at the forefront of AVB networking technology. The StudioLive 32SC’s integrated AVB networking allows you to expand your mixer as your needs grow. Add NSB-series stage boxes to add analog inputs and outputs. Route audio to EarMix 16M personal monitor mixers for customized mixes on stage. With powerful plug-in processing, advanced recording features, and flexible mix buses, the StudioLive 32SC is the best digital mixer for mobile live sound and recording music.

PRE-SL32SX
StudioLive 32 SX console

Power meets efficiency.

 

Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive mixers famous, the StudioLive 32SX is the perfect compact 32-channel digital mixing solution. Powered by the dual-core PreSonus FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.

 

 (delivery May-June 2019)

 

The scalable digital mixer.

 

The StudioLive 32SX digital mixer and the complete PreSonus StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Connect a StudioLive 32R to use as a remote stage box or monitor mixer. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network thanks, to the flexibility of Digital Patching onboard your StudioLive 32SX digital mixer and in UC Surface remote mixer software.

 

Superior sound.

 

We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32SX digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SX mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SX mixer scene, the mic preamp trim values can also be recalled along with the other settings.

 

Record music with or without a computer.

 

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SX digital mixer or on your Mac® or Windows® computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple and hassle-free so you can focus on mixing the show.

 

The best music recording software… included.

 

Studio One revolutionized music recording, making common mixing and production tasks as easy as drag-and-drop. Tight integration with StudioLive 32SX digital mixers allows you to control preamp levels and more right from the Studio One software console. Press the DAW button on your StudioLive 32SX, and your Studio One controls are right under your fingertips on your digital mixer. Studio One control can be toggled on and off, allowing you to quickly switch between your live mix and your production mix with the press of a button. Studio One Artist is included with the StudioLive 32SX, so you can start recording right out of the box.

 

Remote control your digital mixer from anywhere—on any device.

 

PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 32SX digital mixer, remotely controlling your mix from anywhere just got easier.

 

Flexible mixing for studio and stage.

 

The StudioLive 32SX was designed to fit well in any application. Its 16 FlexMixes can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Four designated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. Inputs and buses can be freely routed internally, out to your AVB network, and over the USB bus, allowing you to customize your StudioLive 32SX for your unique mixing style.

 

The best USB audio interface for mixing.

 

With 128 (64x64) channels of recording over USB, you can record every input channel and bus on your StudioLive 32SX for the ultimate recording rig. Each channel can independently access its analog input or its dedicated digital return from your computer. Ten included vintage EQ and classic compressor Fat Channel plug-in models can be used onboard your mixer as well as within Studio One. And when you’re ready for more signal processing options, PreSonus offers four Fat Channel plug-in collections with 15 additional models. Fat Channel plug-ins can be inserted on every input channel and output bus, giving you extensive, studio-style processing while mixing and recording.

 

A complete networked solution.

 

StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Designed to enhance each other, these products are at the forefront of AVB networking technology. Connect to StudioLive Series III rack mixers and add a dedicated monitor mixer. Route audio to EarMix 16M personal monitor mixers for customized mixes on stage. With powerful plug-in processing, advanced recording features, and a full complement of analog I/O in a compact chassis, the StudioLive 32SX is an ideal centerpiece for sound systems of any size.

 

 

PRE-SL32S
StudioLive 32 S console

The small-format mixer with one-to-one control

 

The StudioLive 32S is a powerful 32-channel mixer that provides the ultimate mixing experience, packing large format features into a small format chassis. Powered by the dual-core PreSonus FLEX DSP Engine, the StudioLive 32S digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors—including 4 stereo reverberation systems, and Fat Channel plug-in models on every input channel and mix bus. With 128 (64x64) channels of USB recording, 128 channels of AVB network audio I/O, flexible routing options, and studio-grade audio quality, the StudioLive 32S delivers a fast and intuitive, surface-driven workflow for total control. Spend less time menu-diving and more time mixing—hands-on.

 

(delivery May-June 2019)

 

The scalable digital mixer.

 

The StudioLive 32S digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required. Network with a StudioLive Series III rack mixer and add a dedicated monitor mixer. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network, thanks to the flexibility of Digital Patching onboard your StudioLive 32S digital mixer and in UC Surface remote mixer software.

 

The best digital mixer for recording - with or without a computer.

 

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32S digital mixer or on your computer running macOS® or Windows®. Record any combination of channels, FlexMixes, and the Main stereo mix via USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One® with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.

 

Superior sound.

 

We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 32S digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32S mic preamps to be remote-controlled with UC Surface software or Studio One, and when you load a StudioLive 32S mixer scene, the mic preamp trim values can also be recalled along with the other settings.

 

Vintage studio processors onboard.

 

The dynamic Fat Channel on the StudioLive 32S digital mixer puts critical EQ and Dynamics functions beneath your fingertips while giving you fast access to every parameter. Ten included vintage EQ and classic compressor Fat Channel plug-in models can be used onboard your mixer as well as within Studio One. And when you’re ready for more signal processing options, PreSonus offers four Fat Channel plug-in collections with 15 additional models. Fat Channel plug-ins can be inserted on every input channel and output bus. Now you can enjoy extensive, studio-style processing whether recording in the studio or running shows on the road.

 

Flexible mixing without limits.

 

PreSonus designed the StudioLive 32S digital mixer to adapt with your changing needs, whether you’re mixing in the studio or on a busy festival stage. The 16 FlexMixes on the StudioLive 32S digital mixer can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Four designated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. No other digital mixer provides this much flexibility

 

Reconfigure your mix without unplugging a cable.

 

StudioLive Series III digital mixers incorporate the concept of an analog patchbay and digitize it. This lets you customize your mix configuration by patching any analog input or digital return (AVB, USB, or SD Card) to any channel you like. This flexible feature also allows you to freely route audio to your AVB network and record any of the inputs and FlexMixes on the 64 USB sends. Digital Patching also makes it easy to quickly route to and source from your AVB audio network when using the StudioLive 32S as part of a complete networked audio system. And with a fader for all 32 channels, plus 8 additional faders to manage your bus outputs, you always have total control of your entire mix.

 

The ultimate USB audio interface and control surface.

 

With 128 (64x64) channels of recording over USB, the StudioLive 32S is not just the best digital mixer for live sound recording; it’s the best digital mixer for the studio, as well. Each channel can independently access its analog input or its dedicated digital return from your computer. While the StudioLive 32S is compatible with any DAW, Studio One and the StudioLive 32S are the perfect pair to elevate your studio recording environment. Remote control your StudioLive 32S digital mixer’s recallable XMAX mic preamps and Fat Channel processing from Studio One Artist. Press the DAW button on your StudioLive 32S digital mixer and use the 33 touch-sensitive motorized faders to control your Studio One mix. Seamless integration and thoughtful bidirectional control with Studio One make the StudioLive 32S the best mixing console for the modern recording studio.

 

World-class recording software included.

 

PreSonus Studio One® Artist DAW is included with the StudioLive 32S. Studio One seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can spend your precious time creating music instead of wondering what to click next.

 

Remote control your digital mixer from anywhere… on any device.

 

PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 32S digital mixer, remote controlling your mix from anywhere just got easier.

 

A complete networked solution.

 

The StudioLive 32S is the flexible cornerstone for a custom AVB network that is easily expanded and quickly configured. Designed to complement each other, StudioLive Series III networked products form an ecosystem that is at the forefront of AVB networking technology. Route audio to EarMix 16M personal monitor mixers. Connect NSB-series stage boxes and StudioLive Series III rack mixers to add remote inputs and outputs. With powerful plug-in processing, a fader for every channel, and integrated networking onboard, the StudioLive 32S delivers an unmatched mixing experience that combines digital power with analog ease of use.

 

Includes Studio Magic Plug-in Suite.

 

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

PRE-SL64S
StudioLive 64 S console

Your Best Friend!

 

The StudioLive 64S is a 64-channel mixer that brings the power of a large format console to small format digital mixing. Powered by the new quad-core PreSonus FLEX DSP Engine, the StudioLive 64S digital mixer is equipped with 76 mixing channels, 43 mix buses, and 526 simultaneous processors—including 8 stereo reverberation systems, and Fat Channel plug-in models on every input channel and mix bus. With 128 (64X64) channels of USB recording, 128 channels of AVB I/O, flexible routing options, and the studio-grade audio quality that made StudioLive mixers famous, the StudioLive 64S delivers a truly exceptional mixing experience that's in a class of its own.

 

 (delivery May-June 2019)

 

The scalable digital mixer.

 

The StudioLive 64S digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required and complete your 64-channel, 32-bus StudioLive 64S. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mix. Multiple StudioLive Series III digital mixers can be networked together, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching available both onboard your StudioLive 64S digital mixer and inside UC Surface remote mixer software.

 

The best digital mixer for recording—with or without a computer.

 

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 64S digital mixer or on your Mac® or Windows® computer. Record any combination of channels, FlexMixes, and the main stereo mix to USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up Virtual Soundchecks. Best of all, Capture sessions open natively in Studio One® with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more to launch your live mix right where you left it. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.

 

Superior sound.

 

We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 64S digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 64S mic preamps to be remote-controlled with UC Surface software or Studio One, and when you load a StudioLive 64S mixer scene, the mic preamp trim values can be recalled along with the other settings.

 

Create the buses and groups you need.

 

PreSonus designed the StudioLive 64S digital mixer to adapt to your changing needs, whether you’re mixing in the studio or on a busy festival stage. Its 32 FlexMixes can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Eight designated effects buses plus stereo and mono main buses make a total of 43 mix buses in addition to an independent solo bus. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. The independent Main Mono bus can be configured with individual channel sends to feed a subwoofer or as the center channel in an LCR system, complete with a Center Divergence control on each channel to more precisely place your pan positions.

 

Reconfigure your mix without unplugging a cable.

 

StudioLive Series III digital mixers incorporate the concept of an analog patchbay and digitize it. This lets you patch any analog input or digital return (AVB, USB, or SD Card) to any channel to customize your mix configuration. This flexible feature also allows you to freely route audio to your AVB network and record any of the inputs and FlexMixes on the 64 USB sends. Digital Patching also makes it easy to quickly route to and source from your AVB audio network when using the StudioLive 64S as part of a complete networked audio system.

 

The ultimate USB audio interface and control surface.

 

With 128 (64x64) channels of recording over USB, the StudioLive 64S is not just the best digital mixer for live sound recording; it’s the best digital mixer for the studio as well. Each channel can independently access its analog input or its dedicated digital return from your computer. While compatible with any DAW, Studio One and the StudioLive 64S are the perfect pair to elevate your studio recording environment. Remotely control your StudioLive 64S digital mixer’s recallable XMAX mic preamps and Fat Channel processing from Studio One Artist. Press the DAW button on your StudioLive 64S digital mixer and use the 33 touch-sensitive motorized faders to control your Studio One mix. Seamless integration and thoughtful bidirectional control with Studio One make the StudioLive 64S the best mixing console for the modern recording studio.

 

World-class recording software included.

 

PreSonus Studio One® Artist DAW is included with the StudioLive 64S. Studio One seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can spend your precious time creating music instead of wondering what to click next.

 

Fat Channel plug-ins bring your mix to life for stage or studio.

 

The dynamic Fat Channel on the StudioLive 64S digital mixer puts critical EQ and dynamics processing beneath your fingertips while giving you fast access to every parameter. The ten included vintage EQ and classic compressor Fat Channel plug-in models can be used onboard your mixer, as well as within Studio One. And when you’re ready for more options, PreSonus offers four Fat Channel plug-in collections with 15 additional models from which to choose, giving you a host of new signal processing options. Fat Channel plug-ins can be inserted on every input channel and output bus. Now you can enjoy extensive, studio-style processing whether recording in the studio or running shows on the road.

 

Remote control your digital mixer from anywhere, on any device.

 

PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 64S digital mixer, remotely controlling your mix from anywhere just got easier.

 

A complete networked solution.

 

The StudioLive Series III ecosystem of networked products are at the forefront of AVB networking technology. Designed to complement each other, the ecosystem is easily expanded and quickly configured. The StudioLive 64S is your command center to create the ultimate AVB network. Route audio to EarMix 16M personal monitor mixers. Control the gain staging and add up to 64 inputs using NSB-series stage boxes and other StudioLive Series III digital mixers. With powerful plug-in processing, a plethora of mix buses, and integrated networking onboard, the StudioLive 64S brings the large format mixing experience to the compact desktop digital mixer.

 

Get Connected.

 

The back panel of a StudioLive 64S digital mixer is equipped with plenty of local analog I/O. 32 local analog mic/line channel inputs make it easy to connect a variety of gear. 16 local mix outputs let you route to floor monitors, delay stacks and more. But the local I/O is only half the story. Connect your StudioLive 64S digital mixer to an AVB audio network and add remote inputs and outputs anywhere you need them using NSB-series stage boxes.

 

Includes Studio Magic Plug-in Suite.

 

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

SIM-XT-1-C
SIM1 XT-1 Guitar Profiler complete with accesories

With XT-1 your guitar will sound like the finest guitars of your dreams.

 

It’s not midi, and it’s not sampling: it’s a innovative technology never seen before.

We call it Smart Tone Shaping (STS – our patented technology), and it allows you to perfectly emulate the tone of any guitar of your choice, allowing you to play naturally, with no latency or digital artifacts.

Keep playing your own guitar, but enjoy the freedom of a whole world of tones.

 

First, connect your personal axe to XT-1 and create a guitar profile in a minute.

 

Just play a special chromatic scale, 6 notes per string, covering a relevant portion of the guitar extension range (see pedal instructions for tutorial).

Then, choose your favourite guitars from XT-1’s pre-loaded sounds and start playing: rock the house with the sound of legendary electric guitars, like a Gibson SG 1973 or a Musicman Axis, and then swich with a stomp to a superb acoustic guitar, like a Martin D35 or a Gibson J200! It’s up to you, and choices are endless!

 

CHECK THIS VIDEO

 

CHARACTERISTICS

 

N/S ratio > 108 dB

48k/96k Hz – 32 bit

True Bypass

 

CONNECTION

1/4 inch In

1/4 inch Out

1/4 inch Balanced output

 

DIMENSIONS

 

147 x 128 x 68

POWER

9V DC (center-negative)

 

12 PRE-LOADED GUITARS

 

Musicman®️ Axis | neck, mid, bridge

Fender® Stratocaster® | neck, mid, bridge

Fender® Mustang® | neck, mid, bridge

Martin®️ D35 | mic’d

Gibson® 335 | neck, mid, bridge

Benedetto® ‘Bambino’ Archtop | neck

PRS®️ Santana®️ | neck, mid, bridge

Gibson®️ 175 | neck, mid, bridge

Gibson®️ SG 1974 | neck, mid, bridge

Gibson®️ J200 | mic’d

Gibson®️ LesPaul®️ | neck, mid, bridge

Fender®️ Telecaster®️ ’64 | neck, mid, bridge

 

 

CUSTOM APP

Moreover, the wish of innovation brought SIM1 to design and develop an application, with a very intuitive

 

interface, for IOS and Android Systems.

This app will allow you to connect your smartphone or tablet to the SIM1- XT1 pedal, via Wi-Fi connection*, in order to:

– change the tones position in the pedal

– share your tone and download other users tone for free

– test and purchase new sounds from the SIM1 Guitar Store

– transfer these sounds to the pedal

‘Sim1 Guitar’ App now available on Apple Store and Google Play.

*Requires (Optional) WiFi USB adapter EW-7811Un

RAD-R800 1428 00
Radial KL-8 Rackmount Keyboard Mixer

Radial KL-8 Rackmount Keyboard Mixer

 

Ultimate Keyboard Control

The KL-8 is a rackmount keyboard mixing station designed to provide complete control over a professional keyboard setup, both on-stage and in the recording studio.

Four stereo analog inputs for keyboards

Redundant USB connections for laptop soft-synths

Stereo Aux Send/Receive with optional footswitch control

Headphone outputs and cue switches for silent monitoring

Link multiple KL-8s for larger setups

Put yourself in control of the mix

The KL-8 is a powerful mixing station created with keyboard pros in mind, with a number of features designed specifically to streamline and enhance any keyboard setup. You can connect up to four keyboards in mono or stereo, with level controls, aux sends, and LED indicators for each. A stereo aux send/receive is available to feed rackmount reverbs and delays and effects pedals, or it can be used as an additional input for a fifth keyboard. MIDI and USB connections make it easy to control a laptop soft-synth, utilizing high quality 24bit/192kHz digital audio converters. The KL-8 also features multiple output options, with transformer-isolated XLR main outputs to feed the PA, monitor outputs for a set of speakers on stage, and dual headphone outputs for local monitoring and testing.

Redundant USB inputs

When you can't afford to have a break in the performance due to laptop failure, the KL-8 allows you to set up redundant laptop systems and seamlessly transition from one to another. A secondary USB input on the KL-8 allows you to keep your backup laptop at the ready - when failure occurs simply hit the USB select switch on the front panel or use the optional JR-1L remote footswitch to instantly switch to the backup system.

Silent cueing and monitoring via headphones

A built in headphone amp and dual 1/4" TRS outputs give you the option to practice and record silently, or cue up individual inputs on stage without feeding signal out to the audience over the PA system. Each input channel on the KL-8 is accompanied by a Cue switch that will remove that input from the main and monitor outputs and reroute it directly to the headphones, so you can easily adjust patch settings and test playback over USB without affecting the performance.

PRE-STUDIO 24 C
Studio 24 C

USB-C audio interface with two front panel mic/line/instrument inputs with PreSonus XMAX-L solid-state mic preamps; 24-bit, up to 192 kHz recording; up to 2 in, 2 out; MIDI I/O; USB bus-powered; USB-C to USB-C and USB-C to USB-A cables included; Studio One® Artist and Studio Magic Plug-in Suite included.

 

● USB-C bus-powered, 2x2 audio interface with MIDI for macOS® and Windows®

 ● 24-bit resolution; 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates

● 2 mic/instrument/line inputs with XMAX-L solid-state mic preamps

● +48V phantom power (global)

● 2 balanced ¼” TRS main outputs with front-panel level control

● 4 ladder-style LED level meters (2 input, 2 main output)

● Stereo headphone output

● Mixer knob for low-latency direct input monitoring

● Kensington lock security hole

● Studio One® Artist and Studio Magic Plug-in Suite included

● USB-C to C and USB-C to A cables included

PRE-STUDIO 26 C
Studio 26 C

Delivery End of April

High-definition, bus-powered, mobile audio interface with USB-C connectivity; two front panel mic and switchable line/instrument inputs with XMAX-L solid-state mic preamps; 24-bit, up to 192 kHz recording; up to 2 in, 4 out; Cue Mix A/B function that toggles between two mixes while monitoring through headphones—perfect for DJs or to listen in on a performer’s monitor mix; MIDI I/O; USB-C to USB-C and USB-C to USB-A cables included; Studio One Artist and Studio Magic Plug-in Suite included.

 

● USB-C bus-powered, 2x4 audio interface with MIDI

 ● 24-bit resolution; 44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates

● 2 mic/instrument/line inputs with XMAX-L solid-state mic preamps

● +48V phantom power (global)

● 2 balanced ¼” TRS line outputs for monitor mixing

● 2 balanced ¼” TRS main outputs with front-panel level control

● 4 ladder-style LED level meters (2 input, 2 main output)

● Stereo headphone output with Cue Mix A/B

● Direct monitoring

● MIDI I/O

● USB-C to USB-C and USB-C to USB-A cables included

● Studio One® Artist and Studio Magic Plug-in Suite included

PRE-STUDIO 68 C
Studio 68 C

Audio interface with USB-C connectivity; two front panel mic and switchable line/instrument inputs with XMAX mic preamps; 2 rear-panel mic/line inputs with XMAX preamps; 24-bit, up to 192 kHz recording; up to 6 in, 6 out (4x4 at 192 kHz); Cue Mix A/B function that toggles between two mixes while monitoring through headphones— and to listen in on a performer’s monitor mix; MIDI and S/PDIF I/O; USB-C to USB-C and USB-C to USB-A cables included; Studio One Artist and Studio Magic Plug-in Suite included.

 

● 6x6 USB-C audio interface with MIDI (4x4 at 192 kHz)

 ● 24-bit resolution; 44.1, 48, 88.2, 96, 176.4, and 192 kHz sampling rates

● 2 mic/instrument/line inputs with XMAX Class A mic preamps

● 2 mic/line inputs with XMAX Class A mic preamps

● +48V phantom power (global)

● 2 DC coupled, balanced, ¼” TRS line outputs for monitor mixing

● 2 DC coupled, balanced, ¼” TRS main outputs with front-panel level control

● 6 ladder-style LED level meters (4 input, 2 main output)

● Stereo headphone output with Cue Mix A/B

● Direct monitoring

● MIDI I/O

● USB-C to USB-C and USB-C to USB-A cables included

● Studio One® Artist and Studio Magic Plug-in Suite included

PRE-STUDIO 1810 C
Studio 1810 C

High-definition audio interface featuring USB-C connectivity; 4 microphone inputs with XMAX Class A preamps; 8 channels of ADAT Optical input; up to 24-bit/192 kHz recording; 18 simultaneous inputs and 8 outputs (8x6 recording at 192 kHz);18x8 DSP monitor mixer for flexible routing and zero-latency monitor mixing; control-room integration with included Studio One® Artist and UC Surface software; S/PDIF I/O, and MIDI I/O; A/B switch for monitoring different streams via headphones; Studio Magic Plug-in Suite included.

 

● 24-bit/192 kHz, USB-C 18x8 audio interface (8x6 at 192 kHz)

 ● 2 mic/instrument/line inputs and 2 mic/line inputs all with XMAX Class A mic preamps and +48V phantom power

● 4 back panel ¼” TRS balanced line inputs

● 8 channels of ADAT Optical input (4 channels at 96 kHz)

● 2 ¼” TRS balanced DC coupled main outputs with level control and dedicated mute button

● 4 ¼” TRS balanced DC coupled line outputs

● 2 headphone outputs with A/B switching on headphone output 1

● LED metering for all analog inputs and main outputs

● S/PDIF and MIDI I/O

● Flexible routing, zero-latency monitor mixing, and control-room integration with included Studio One Artist

● Monitor mix control with free UC Surface for macOS®, Windows®, iPad®, and Android™

● USB-C to USB-C and USB-C to USB-A cables included

● Studio Magic Plug-in Suite included

PRE-STUDIO 1824 C
Studio 1824 C

High-definition audio interface featuring USB-C connectivity; 8 microphone inputs with XMAX Class A preamps; 8 channels of ADAT Optical input and output; up to 24-bit/192 kHz recording; 18 simultaneous inputs and outputs (8x8 recording at 192 kHz); 18x18 DSP monitor mixer for flexible routing and zero-latency monitor mixing; control-room integration with included Studio One® Artist and UC Surface software; S/PDIF I/O, and MIDI I/O; Studio Magic Plug-in Suite included.

 

● 24-bit/192 kHz, USB-C 18x18 1U rack mounted audio interface (8x8 at 192 kHz)

 ● 2 mic/instrument/line inputs and 6 mic/line inputs all with XMAX Class A mic preamps and +48V phantom power

● 8 channels of ADAT Optical I/O (4 channels at 96 kHz)

● 2 ¼” TRS balanced main outputs with front-panel level control and dedicated Mute and Mono buttons (duplicate line outs 1/2)

● 8 ¼” TRS balanced DC coupled line outputs

● 2 stereo headphone outputs with independent mix streams

● LED metering on all analog inputs and main outs

● S/PDIF I/O

● MIDI I/O

● BNC word clock output

● Flexible routing, zero-latency monitor mixing, and control-room integration with included Studio One Artist

● Monitor mix control with free UC Surface for macOS®, Windows®, iPad®, and Android™

● USB-C to USB-C and USB-C to USB-A cables included

● Studio Magic Plug-in Suite included

PRE-STUDIO 24
Studio 24

Professional quality wherever you record.

 

Great for home recording, mobile musicians, guitarists, podcasters, and live streaming, the Studio 24 2x2 USB-C bus-powered audio/MIDI interface can record up to 24-bit, 192 kHz audio. Equipped with PreSonus XMAX-L solid-state preamps and high-end converters, it delivers professional quality audio in a rugged, compact enclosure, allowing you to create your next hit in your studio or on the go. A complete, all-in-one recording solution, the Studio 24 comes with PreSonus’ award-winning Studio One® Artist music production software for Mac® and Windows®.

 

Superior sound.

 

Audiophile-grade digital converters, ultra-low-jitter clocking, and XMAX-L solid-state preamps add up to a superior recording and listening experience. The Studio 24 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output enable you to capture complex musical harmonics smoothly and naturally with no audible distortion.

 

Perfect for guitarists, singer/songwriters, podcasters, and more.

 

The Studio 24 audio interface is a great choice for podcasters, singer/songwriters, small personal studios, school music labs, live streaming, or a couple of guitarists who want to collaborate or jam. A Mixer knob blends analog input and computer playback for low-latency direct monitoring.

 

World-class recording software included.

 

Seamlessly integrated with the included PreSonus Studio One® Artist music production software, the Studio 24 interface works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

 

Take the tour.

 

The Studio 24 audio interface features two front-panel combo mic/instrument/line inputs with +48V phantom power for condenser mics. Accurate LED meters indicate input and output levels. A USB-C port and balanced, ¼-inch TRS, line-level main outputs grace the rear panel, and an output level control is provided on the front. MIDI I/O enables connection to a keyboard, sound module, or control surface.

 

Designed for the studio. Built for the road.

 

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 24 will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit that's ready to hit the road when you are. The perfect companion for any recording software, the Studio 24 comes equipped with Studio One Artist to provide you with a complete, affordable, mobile recording solution. Check out the Studio 24 at your favorite PreSonus dealer.

 

Includes Studio Magic Plug-in Suite.

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.

 

 

RAD-R800 8028 00
Radial Catapult Mini TX

Radial Catapult Mini 4-Channel Cat 5 Audio Snake Transmitter

 

The Catapult Mini is a 4-channel compact audio snake that allows you to send analog audio signals over standard Cat 5 or Cat 6 shielded twisted pair cable.

Send four channels of analog audio over a single Cat 5/6 cable

Works with a building’s existing cable infrastructure

Compact and lightweight, yet durable and rugged

Economical Cat 5/6 cable replaces bulky multichannel audio snakes

Analog audio over Cat 5 wiring

The Catapult Mini RX and TX act like a typical four-channel analog audio snake; they allow you to send mic or line-level signals from one location to another without signal loss, noise, or interference, and without any digital audio conversion needed. What makes the Catapult system unique is that it utilizes Cat 5 Ethernet cable, which is widely available, lightweight, and economical. Simply connect a shielded Cat 5 cable between any two Catapult modules and they will use the analog conductors in the cable to deliver four balanced audio lines to any destination.

Straight-wire passive operation

Catapult modules require no power to operate, and since they keep the signal in the analog realm, no digital conversion is necessary. Straight-wire connection from the XLRs to the RJ45 connector on a Cat 5 cable ensures that your audio passes through without coloration or distortion.

Utilize pre-existing cable installations

As many buildings are already pre-wired for Cat 5, you can take advantage of this to transmit audio between distant rooms without the need to install or supply new cabling. This eliminates the need for bulky and expensive multi-channel audio cable, and allows contractors to benefit from installed network cable and easily connect from one room to another.

Mix & Match

All of the Radial Catapult modules are compatible with each other, and each is sold individually, so you can select whichever combination best suits your needs. The Catapult Mini RX and TX can be used together as a pair, creating a compact 4-channel audio snake. However, if you prefer to have a stage box to plug microphones into, but want a compact breakout cable that fits in the case with the mixer, combine the Catapult TX4 with the Catapult Mini RX. A variety of modules allow you to customize your transmit and receive devices to complement any application.

RAD-R800 8029 00
Radial Catapult Mini RX

Radial Catapult Mini 4-Channel Cat 5 Audio Snake Receiver

 

The Catapult Mini is a 4-channel compact audio snake that allows you to send analog audio signals over standard Cat 5 or Cat 6 shielded twisted pair cable.

Send four channels of analog audio over a single Cat 5/6 cable

Works with a building’s existing cable infrastructure

Compact and lightweight, yet durable and rugged

Economical Cat 5/6 cable replaces bulky multichannel audio snakes

Analog audio over Cat 5 wiring

The Catapult Mini RX and TX act like a typical four-channel analog audio snake; they allow you to send mic or line-level signals from one location to another without signal loss, noise, or interference, and without any digital audio conversion needed. What makes the Catapult system unique is that it utilizes Cat 5 Ethernet cable, which is widely available, lightweight, and economical. Simply connect a shielded Cat 5 cable between any two Catapult modules and they will use the analog conductors in the cable to deliver four balanced audio lines to any destination.

Straight-wire passive operation

Catapult modules require no power to operate, and since they keep the signal in the analog realm, no digital conversion is necessary. Straight-wire connection from the XLRs to the RJ45 connector on a Cat 5 cable ensures that your audio passes through without coloration or distortion.

Utilize pre-existing cable installations

As many buildings are already pre-wired for Cat 5, you can take advantage of this to transmit audio between distant rooms without the need to install or supply new cabling. This eliminates the need for bulky and expensive multi-channel audio cable, and allows contractors to benefit from installed network cable and easily connect from one room to another.

Mix & Match

All of the Radial Catapult modules are compatible with each other, and each is sold individually, so you can select whichever combination best suits your needs. The Catapult Mini RX and TX can be used together as a pair, creating a compact 4-channel audio snake. However, if you prefer to have a stage box to plug microphones into, but want a compact breakout cable that fits in the case with the mixer, combine the Catapult TX4 with the Catapult Mini RX. A variety of modules allow you to customize your transmit and receive devices to complement any application.

PRE-ABOX96K ULTIMATE
AUDIOBOX 96  ULTIMATE BUNDLE

Everything you Need to Record and Produce

 

Produce and record like a pro with a single-purchase bundle! The core of this package is the AudioBox USB® 96 audio/MIDI interface and award-winning Studio One recording and production software. You also get PreSonus®’ best-selling Eris E3.5 Active Media Reference Monitors and HD7 headphones, allowing you to monitor your work loud and proud or quietly to yourself. Lastly, the M7 dynamic microphone is a superior all-purpose condenser mic ideal for guitar and vocals—and we even included all the necessary cables and a desktop mic stand.

 

Studio One Artist makes recording a breeze.

 

No other entry-level recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio One® Artist lets you work quickly and stay focused on your inspiration, offers unlimited tracks and plug-ins, and delivers features not normally found in entry-level DAWs. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One makes it easy!

 

AudioBox USB 96: Simple, reliable, and portable.

 

The AudioBox USB 96 is the heart of the AudioBox Studio Ultimate Bundle. This simple, handy little audio/MIDI interface has just the right features for basic recording needs, including two combo mic/instrument inputs and zero-latency monitoring, so you can simply plug in and start recording right away. Bus-powered, built to travel, compatible with most recording software for Mac and Windows, and equipped with high-performance microphone preamplifiers and professional-quality, 24-bit, 96 kHz converters, the AudioBox USB 96 makes high-definition recording easy.AudioBox USB 96: Simple, reliable, and portable.

 

Sound you can trust. Eris 3.5

 

PreSonus® Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. They’re compact enough to fit almost anywhere, but still offer robust I/O—you can connect them to nearly anything.

 

Capture every nuance with the M7 condenser microphone.

 

Get your mic collection off to a good start with the M7 large-diaphragm condenser microphone and desktop stand. Condenser mics are the overwhelming choice of recording studio professionals, enabling you to capture musical details, harmonics, and subtle nuances that would get lost with dynamic mics. Large-diaphragm condenser microphones, like the M7, tend to “warm up” a sound, making them the go-to microphone for recording vocals and a wide range of instruments.

 

Hear every detail with HD7 professional headphones.

 

PreSonus’ high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Accurate midrange and extended treble response let you pick out the fine details of a mix or track. The lightweight, ergonomic design adjusts to any head size, offering a comfortable listening experience during long recording sessions.

ADA-SP-5
ADAM SP-5 Headphone (NEW)

Renowned maker of industry-leading studio monitors ADAM Audio introduces the SP-5, a closed-backed, circumaural headphone with an analytically precise, smoothly balanced sound from 8 to 38 kHz. The SP-5 uses Ultrasone´s S-LOGIC technology to provide startlingly realistic spatial imaging while requiring less SPL to deliver the same volume, making the SP-5 an excellent choice for long mixing sessions. ADAM Audio CEO Christian Hellinger: “This headphone fits perfectly into our reference-class monitor range, providing ultra-precise reproduction of audio material while avoiding hearing fatigue.”

 

 

The ADAM Audio Studio Pro SP-5 is available now.

PRE-ATOM
ATOM, Production and Performance Pad Controller

Tightly integrated production environment with included Studio One® Artist production software; flexible control of virtual instruments and real-time triggering of samples and loops using 16 full-size, velocity- and pressure-sensitive RGB pads that can send polyphonic aftertouch, channel pressure, or MIDI CC messages, plus 20 buttons and 8 pad banks that can be assigned in multiple ways; includes MVP Loops content custom-designed for ATOM; built to withstand the rigors of performance and travel.

PRE-ATOM PROD
Atom Producers Lab Bundle

Tightly integrated production environment featuring PreSonus® ATOM™ pad controller, which offers flexible control of virtual instruments and real-time triggering of samples and loops; powerful yet easy-to use Studio One® Artist production software with Studio Magic Plug-in Suite; AudioBox USB 96 portable, bus-powered, 2-channel USB interface with up to 24-bit, 96 kHz recording; M7 large-diaphragm condenser mic; and MVP Loops content custom-designed for ATOM.

PRE-HD9
HD9 Headphones

The HD9 is a professional studio headphone featuring 45 mm dynamic, neodymium drivers in a closed acoustic design; a refined frequency response that extends all the way from 10 Hz to 26 kHz; accurate low frequency response; and high power handling (900 mW per channel into 40 ohms).

 

• Closed back, circumaural acoustic design

 • Two-way, 180° cup rotation

• Tailored frequency response (10 Hz - 26 kHz)

• Accurate low-frequency response

• High-power handling (1,800 mW @ 40Ω, 900 mW per channel)

• 45 mm dynamic, neodymium drivers

• 96 dB sensitivity (±3 dB)

• 10 foot (3m), straight, single-sided cable with 1/8 inch connector

• Gold-plated 1/8 inch-to-¼ inch adapter

• Storage bag

PRE-FADERPORT V2
FaderPort (NEW)

Work smarter. NEW FaderPort V2

USB Control Surface with 1 motorized fader, transport controls, Studio One, MCU, HUI

Although a keyboard and mouse are tried-and-true DAW-control devices, they’re far more effective when used in tandem with the FaderPort™’s precise tactile control over mix and automation functions. A superior solution for anyone who mixes in the box, the FaderPort provides a 100 mm touch-sensitive, motorized fader for writing fades and automation in real-time and 24 buttons covering 40 different functions, all in a compact chassis that easily sits on any desk. Quickly zoom in on audio files for editing. Control track levels with the touch of a finger. With the FaderPort, you’ll enjoy the fastest, most efficient workflow you’ve ever experienced.

PRE-QUANTUM 4848
Quantum 4848

Integrate vintage gear with your DAW at Quantum speed

Quantum 4848: 24-bit 192 kHz Thunderbolt Audio Interface with Studio One Professional

 

PreSonus®’ fastest and best-sounding audio interface; takes advantage of the Thunderbolt™ bus to deliver extremely low-latency/high-speed audio; ADCs and DACs with >120 dB dynamic range; up to 24-bit/192 kHz recording; 32 channels of line-level I/O on DB25 connectors; expandable via 2 banks (up to 16 channels) of ADAT Optical; stack up to 4 Quantum 4848 interfaces 192x192 I/O; word clock I/O for superior digital sync; includes Studio One® Professional featuring Pipeline, which allows you to use your favorite analog gear as plug-ins inside your Studio One session, plus the Studio Magic Plug-in Suite.

PRE-EARMIX 16M
Earmix 16M

High-quality monitoring is crucial for artists to deliver their best performance, so we’ve given the EarMix 16M a loud, clear headphone amplifier that can drive low-impedance devices such as professional-caliber in-ear-monitors. We started with a top of the line digital-to-analog converter for the best dynamic range and signal-to-noise ratio. We took special care in the amplifier design to deliver excellent sound with a wide range of in-ear monitors and headphones with different impedances. Controls and inputs can be customized on each unit to allow each musician to create a mix that works best for them. Once you’ve perfected a set of monitor mixes, save the whole scene to internal memory; you can store and recall up to 16 mix scenes locally.

Your ears—and bands—will thank you.

EarMix 16M’s connectivity, AVB networking with PoE, and PreSonus’ famed hardware/software integration give you all the tools you need to create a truly professional personal monitoring system that can serve even the largest ensembles. We remembered the little things, too, like an optional microphone stand mount. Best of all, thanks to loud, clear headphone amps, high-end converters, and top-quality signal processing, EarMix 16M delivers exceptional sound quality that will further enhance your hard-earned reputation as an audio professional.

PRE-SL-SNAKE-150
SL-SNAKE-150, CAT5E snake, 150 feet

45 meter cable

PRE-NSB 8.8
Stagebox NSB 8.8

Analog Input/Output

Locking, remote controllable combo mic/line inputs

8 remote-controllable XMAX preamps

Gain compensation for shared inputs

8 locking XLR line outputs

Meters, Controls, and Processing

Mute All button

+48V indicators

Easy setup and control from StudioLive® Series III consoles and UC Surface

Digital

16x8 AVB (8 direct input channels + 8 gain-compensated input channels)

2 AVB ports with locking XLR Ethernet jacks

Actively Integrated Software

Easy setup and control from PreSonus® UC Surface touch control software for Mac®, Windows®, iPad®, and Android™, available free from Apple App Store and Google Play

Power

Locking IEC power jack

Physical

Rugged stage box enclosure

Optional rack ears

Compatible with stage pockets from Ace Backstage

PRE-NSB 8.8-RACK KIT
NSB 8.8 Rack kit
PRE-NSB 16.8
Stagebox NSB 16.8

Analog Input/Output

Locking, remote controllable combo mic/line inputs

16 remote-controllable XMAX preamps

Gain compensation for shared inputs

8 locking XLR line outputs

 

Meters, Controls, and Processing

Mute All button

+48V indicators

Easy setup and control from StudioLive® Series III consoles and UC Surface

Digital

32x8 AVB (16 direct input channels + 16 gain-compensated input channels)

2 AVB ports with locking XLR Ethernet jacks

Actively Integrated Software

Easy setup and control from PreSonus® UC Surface touch control software for Mac®, Windows®, iPad®, and Android™, available free from Apple App Store and Google Play

Power

Locking IEC power jack

Physical

Rugged stage box enclosure

Optional rack ears

Compatible with stage pockets from Ace Backstage

PRE-NSB 16.8-RACK KIT
NSB 16.8 Rack Kit
PRE-STUDIO 1824
Studio 1824

The Hitmaker - Created for demanding producers.

Working professionals in search of a feature-rich USB recording solution with a wealth of connections need look no further than the Studio 1824 audio/MIDI interface. Loaded with analog and digital I/O and an 18x8 DSP monitor mixer, the Studio 1824 records up to 24-bit, 192 kHz audio. Flexible routing, near-zero-latency monitor mixing, and control-room integration are available from within included Studio One® Artist for Mac® and Windows® and UC Surface for Mac, Windows, iPad®, and Android™ tablet. Equipped with our famous XMAX Class A preamps and high-end converters, it delivers superior audio and the features you need to create your next hit and keep clients coming back for more.

 

Superior sound.

High-grade digital converters, ultra-low-jitter clocking, and our famous XMAX preamps add up to a superior recording and listening experience. The Studio 1824 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. XMAX Class A microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings. Your music never sounded better!

 

The central hub of your studio.

The Studio 1824 features two front-panel combo mic and switchable line/instrument inputs and six rear-panel mic/line inputs, all with +48V phantom power for condenser mics. Its eight channels of ADAT Optical I/O (four channels at 96 kHz) enable you to expand the unit with a multichannel preamp/ADC, such as our premium-quality DigiMax DP88. In addition to L/R main outputs with front-panel Mute, Mono, and level controls, you get eight balanced line outputs for monitor mixing plus stereo S/PDIF digital I/O and two stereo headphone outputs. All line-level outputs are DC coupled, enabling them to send control voltages. The onboard DSP lets you create four stereo near-zero latency monitor mixes. A BNC word clock output enables synchronization with other digital devices. Studio 1824’s MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making it a true central hub for your studio.

 

World-class recording software included.

The Studio 1824 interface works with virtually all Mac and Windows audio-recording software but it really shines when used with the included PreSonus Studio One® Artist DAW. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. The mix controls for the Studio 1824’s onboard monitor mixer are seamlessly integrated into Studio One so you can easily create near-zero-latency monitor mixes from within your recording environment. You also can remote-control monitor mixes using free PreSonus UC Surface touch-control software for Mac, Windows, iPad, and Android tablet.

 

Designed for producers who need more.

With ample connectivity, onboard monitor mixing, sweet-sounding preamps, and up to 192 kHz sample rate, the Studio 1824 will give you the ultra-high-definition sound and versatile connectivity you need to make state-of-the-art recordings. The perfect companion for any recording software, the Studio 1824’s integration with Studio One Artist and remote control with UC Surface provide a complete and thoroughly professional recording solution. Check out the Studio 1824 at your favorite PreSonus dealer.

 

EHR-EHR-H
EHR-H handheld microphone made for vocals

EHR-H

The latest addition to the Ehrlund family is a handheld microphone made for vocals and live performances. It's built to endure the rough conditions that arises on tours while still not holding back on sound quality.

 

Ehrlund Microphones

reshaping microphone technology

 

Thanks to their unique triangular capsule membrane and pristine phase linear electronics,

Ehrlund Microphones capture sound more accurately. Audio engineers around

the world are amazed at the difference they’re hearing.

We want to shift your audio paradigm.

SON-C-100
Sony C-100 High Res Audio two way condenser microphone

Sony C-100 Hi-Res Condenser Microphone

The Sony C-100 Microphone is a new side-address studio condenser microphone incorporating advanced microphone technology making it compatible with Hi-Resolution Audio. The C-100 has three selectable polar patterns: Omni, Uni (cardioid) and Bi (figure-of-8).

 

The C-100's newly-developed double microphone capsule uses technology first used on the world famous C-800G studio mic to incorporate advanced noise elimination and amazing reproduction of vocals and musical instruments alike.

With excellent sound quality, a wide frequency response, noise elimination construction, a low cut filter and switchable polar patterns, the Sony C-100 Hi-Res Studio Mic is a powerful recording tool, essential for every studio.

 

Sony C-100 Features

 

Excellent Sound Quality

Two-way diaphragm structure realizes both broad high range and resonant mid-low range and gives great vocal presence.

 

Wide Frequency Response

The C-100 microphone has a broad frequency response (20 Hz to 50kHz) and provides superb sound reproduction quality for High-Resolution Audio.

 

Noise Elimination Construction

Two-part metallic body structure succeeded from C-800G microphone prevents acoustic vibration resulting in low noise and clear sound.

 

Switchable Polar Patterns

The C-100 microphone features switchable uni-directional, omni-directional and Figure-8 ploar patterns for various recording applications.

 

Low-Cut Filter

Low-Cut filter switch helps eliminate low-frequency noise and proximity effect.

 

Pad Switch

An -10dB pad switch on C-100 microphone provides added headroom and minimizes distortion caused by transient peaks.

PRE-SW5E
SW5E AVB Switch with PoE

The AVB Network Connection

 

PreSonus’ SW5E AVB switch supplies five AVB ports with secure. locking XLR Ethernet jacks. This, along with its robust construction, makes the SW5E an especially good choice for live sound systems. Network Link/Activity indicators help you ensure that network data is flowing properly.

 

What is an AVB network?

Audio networking is much more than just a way to connect a digital snake. With an AVB network, you can connect digital audio devices over long distances using CAT5e or CAT6 Ethernet cable and route your audio anywhere on the network with extremely low latency. AVB offers several unique benefits that make it a better choice for audio than other networking protocols. For example, AVB provides a high-precision clock that significantly reduces harmonic distortion and phasing, ensuring your audio stays clear and clean. AVB ensures you always have enough bandwidth to carry your low latency audio—even when your intern starts streaming a movie. These important benefits are an inherent part of AVB; you don’t need to do anything special to your devices or AVB switch. And you can only get them with AVB.

 

PoE: Remote power for networked devices.

Power over Ethernet (PoE) is a technology that enables network cables to carry electrical power to compatible devices. With PoE, a single cable delivers both network data, such as digital audio, and electrical power. You can locate a PoE-enabled device anywhere you can run an Ethernet cable because you don’t need a local power source. Four of the SW5E’s five ports can provide PoE, a rare feature in the current generation of AVB switches. The SW5E’s fifth port is non-PoE, which is useful for linking to additional switches to create a larger network.

 

Tough enough for live sound.

Live sound gigs are hard on gear, and if your network fails, the show could be over. That’s why the SW5E is built to stand up to the rigors of live sound and perform reliably every time. In addition to using rugged, locking XLR Ethernet connectors, the SW5E is housed in a heavy-duty, all-metal chassis and can be rack mounted using a rack tray (not included). The unit also employs an internal power supply with standard IEC connector—not a clumsy “wall wart” supply that could easily get bumped loose.

 

A great networking solution for StudioLive digital mixers.

When used with StudioLive digital mixers, an SW5E AVB switch makes many wonderful things possible. Use an SW5E to network StudioLive Series III consoles or to connect a StudioLive AI-series console and StudioLive RML-series rack mixer (as a stage box). Put an SW5E at the center of your network to connect a StudioLive RML-series rack mixer with a StudioLive CS18AI control surface. You can even cascade two StudioLive RML-series mixers to create a larger system by AVB networking them with an SW5E.

You also can use the SW5E to connect non-PreSonus AVB-enabled equipment. As long as the product is compatible with the AVB specification, it is compatible with the SW5E.

SON-URX-P03D/33KIT
Sony Wireless Bundle 566,025-630,000 MHz

Everything you need in one box for 2 channel wireless audio!

 

The Bundle includes:

1 x URX-P03D 2 channel receiver

2 x UTX-B03 Pocket transmitters

2 x ECM-V1BMP Lavalier microphones

1 x SMAD-P3D Shoe mount adapter for camera

 

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