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SIM-XT-1-C
SIM1 XT-1 Guitar Profiler complete with accesories

With XT-1 your guitar will sound like the finest guitars of your dreams.

 

It’s not midi, and it’s not sampling: it’s a innovative technology never seen before.

We call it Smart Tone Shaping (STS – our patented technology), and it allows you to perfectly emulate the tone of any guitar of your choice, allowing you to play naturally, with no latency or digital artifacts.

Keep playing your own guitar, but enjoy the freedom of a whole world of tones.

 

First, connect your personal axe to XT-1 and create a guitar profile in a minute.

 

Just play a special chromatic scale, 6 notes per string, covering a relevant portion of the guitar extension range (see pedal instructions for tutorial).

Then, choose your favourite guitars from XT-1’s pre-loaded sounds and start playing: rock the house with the sound of legendary electric guitars, like a Gibson SG 1973 or a Musicman Axis, and then swich with a stomp to a superb acoustic guitar, like a Martin D35 or a Gibson J200! It’s up to you, and choices are endless!

 

CHECK THIS VIDEO

 

CHARACTERISTICS

 

N/S ratio > 108 dB

48k/96k Hz – 32 bit

True Bypass

 

CONNECTION

1/4 inch In

1/4 inch Out

1/4 inch Balanced output

 

DIMENSIONS

 

147 x 128 x 68

POWER

9V DC (center-negative)

 

12 PRE-LOADED GUITARS

 

Musicman®️ Axis | neck, mid, bridge

Fender® Stratocaster® | neck, mid, bridge

Fender® Mustang® | neck, mid, bridge

Martin®️ D35 | mic’d

Gibson® 335 | neck, mid, bridge

Benedetto® ‘Bambino’ Archtop | neck

PRS®️ Santana®️ | neck, mid, bridge

Gibson®️ 175 | neck, mid, bridge

Gibson®️ SG 1974 | neck, mid, bridge

Gibson®️ J200 | mic’d

Gibson®️ LesPaul®️ | neck, mid, bridge

Fender®️ Telecaster®️ ’64 | neck, mid, bridge

 

 

CUSTOM APP

Moreover, the wish of innovation brought SIM1 to design and develop an application, with a very intuitive

 

interface, for IOS and Android Systems.

This app will allow you to connect your smartphone or tablet to the SIM1- XT1 pedal, via Wi-Fi connection*, in order to:

– change the tones position in the pedal

– share your tone and download other users tone for free

– test and purchase new sounds from the SIM1 Guitar Store

– transfer these sounds to the pedal

‘Sim1 Guitar’ App now available on Apple Store and Google Play.

*Requires (Optional) WiFi USB adapter EW-7811Un

PRE-HD9
HD9 Headphones

The HD9 is a professional studio headphone featuring 45 mm dynamic, neodymium drivers in a closed acoustic design; a refined frequency response that extends all the way from 10 Hz to 26 kHz; accurate low frequency response; and high power handling (900 mW per channel into 40 ohms).

 

• Closed back, circumaural acoustic design

 • Two-way, 180° cup rotation

• Tailored frequency response (10 Hz - 26 kHz)

• Accurate low-frequency response

• High-power handling (1,800 mW @ 40Ω, 900 mW per channel)

• 45 mm dynamic, neodymium drivers

• 96 dB sensitivity (±3 dB)

• 10 foot (3m), straight, single-sided cable with 1/8 inch connector

• Gold-plated 1/8 inch-to-¼ inch adapter

• Storage bag

EHR-EHR-H
EHR-H handheld microphone made for vocals

EHR-H

The latest addition to the Ehrlund family is a handheld microphone made for vocals and live performances. It's built to endure the rough conditions that arises on tours while still not holding back on sound quality.

 

Ehrlund Microphones

reshaping microphone technology

 

Thanks to their unique triangular capsule membrane and pristine phase linear electronics,

Ehrlund Microphones capture sound more accurately. Audio engineers around

the world are amazed at the difference they’re hearing.

We want to shift your audio paradigm.

PRE-STUDIO 1810
Studio 1810

Designed for creative electronic music production.

Almost everyone at PreSonus is a musician, and many of us are DJs and electronic musicians. So we understand the need for a high-quality interface with the best sounding preamps available and top quality digital converters. We need cue mix monitoring for live DJ gigs as well as in the studio. We need direct line inputs for our external synths, and we need expandability because we can’t resist adding more synths to our collection. That’s why we created the Studio 1810. With 18 flexible inputs, 8 outputs, cue mix monitoring on the first of two headphone outputs, and an onboard DSP monitor mixer that’s integrated into both Studio One® Artist and UC Surface, the Studio 1810 delivers superior audio and the features electronic music producers and DJs need.

 

Superior sound.

High-grade digital converters, ultra-low-jitter clocking, and our famous XMAX preamps add up to a superior recording and listening experience. The Studio 1810 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. XMAX Class A microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings, making it ideal for both vocal production and sampling.

 

All the inputs you need, when you need them.

In addition to XMAX mic preamps, the first two Studio 1810 inputs provide instrument preamps so you can directly connect guitars and basses without a D.I. box. All four combo connections feature line level inputs with 40 dB of gain for low-level line devices, like that TR-808 you snagged off Craigslist. Four direct-to-ADC balanced line inputs are ideal for connecting synthesizers, outboard preamps, and channel strips. And the Studio 1810 is equipped with eight channels of ADAT Optical input (four channels at 96 kHz), enabling you to expand your inputs with an 8-channel converter like our premium-quality DigiMax DP88, so your recording system can grow along with your synth collection.

 

In the studio and on the gig.

The first of two high-powered headphone outputs features Cue Mix A/B so you can choose between two mixes with a button press, providing the flexibility you need for live DJ performances and studio collaboration. In addition to L/R main outputs with front-panel Mute and level controls, you get four balanced line outputs for monitor mixing plus stereo S/PDIF digital I/O. All line-level outputs are DC coupled, enabling them to send control voltages. An 18x6 monitor mixer lets you create three stereo near-zero-latency monitor mixes. Studio 1810’s MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making this versatile interface the heart of your studio.

 

World-class recording software included.

The Studio 1810 interface works with virtually all Mac and Windows audio-recording software but it really shines when used with the included PreSonus Studio One® Artist DAW. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. The mix controls for the Studio 1810’s onboard monitor mixer are seamlessly integrated into Studio One. Using Studio One’s unique Z-Mix feature, you can create near zero-latency monitor mixes without leaving your recording environment. You also can remote-control monitor mixes using free PreSonus UC Surface touch-control software for Mac®, Windows®, iPad®, and Android™.

 

The flexible production tool.

With cue mix headphone monitoring, onboard monitor mixing, sweet-sounding preamps, abundant line inputs, and up to 192 kHz sample rate, the Studio 1810 will give you the ultra-high-def sound and versatile connectivity you need to make state-of-the-art recordings and perform live. An excellent companion for any recording software, the Studio 1810’s integration with Studio One Artist and remote control with UC Surface provide a complete and thoroughly professional recording solution. Check out the Studio 1810 at your favorite PreSonus dealer.

PRE-STUDIO 1824
Studio 1824

The Hitmaker - Created for demanding producers.

Working professionals in search of a feature-rich USB recording solution with a wealth of connections need look no further than the Studio 1824 audio/MIDI interface. Loaded with analog and digital I/O and an 18x8 DSP monitor mixer, the Studio 1824 records up to 24-bit, 192 kHz audio. Flexible routing, near-zero-latency monitor mixing, and control-room integration are available from within included Studio One® Artist for Mac® and Windows® and UC Surface for Mac, Windows, iPad®, and Android™ tablet. Equipped with our famous XMAX Class A preamps and high-end converters, it delivers superior audio and the features you need to create your next hit and keep clients coming back for more.

 

Superior sound.

High-grade digital converters, ultra-low-jitter clocking, and our famous XMAX preamps add up to a superior recording and listening experience. The Studio 1824 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. XMAX Class A microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings. Your music never sounded better!

 

The central hub of your studio.

The Studio 1824 features two front-panel combo mic and switchable line/instrument inputs and six rear-panel mic/line inputs, all with +48V phantom power for condenser mics. Its eight channels of ADAT Optical I/O (four channels at 96 kHz) enable you to expand the unit with a multichannel preamp/ADC, such as our premium-quality DigiMax DP88. In addition to L/R main outputs with front-panel Mute, Mono, and level controls, you get eight balanced line outputs for monitor mixing plus stereo S/PDIF digital I/O and two stereo headphone outputs. All line-level outputs are DC coupled, enabling them to send control voltages. The onboard DSP lets you create four stereo near-zero latency monitor mixes. A BNC word clock output enables synchronization with other digital devices. Studio 1824’s MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making it a true central hub for your studio.

 

World-class recording software included.

The Studio 1824 interface works with virtually all Mac and Windows audio-recording software but it really shines when used with the included PreSonus Studio One® Artist DAW. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. The mix controls for the Studio 1824’s onboard monitor mixer are seamlessly integrated into Studio One so you can easily create near-zero-latency monitor mixes from within your recording environment. You also can remote-control monitor mixes using free PreSonus UC Surface touch-control software for Mac, Windows, iPad, and Android tablet.

 

Designed for producers who need more.

With ample connectivity, onboard monitor mixing, sweet-sounding preamps, and up to 192 kHz sample rate, the Studio 1824 will give you the ultra-high-definition sound and versatile connectivity you need to make state-of-the-art recordings. The perfect companion for any recording software, the Studio 1824’s integration with Studio One Artist and remote control with UC Surface provide a complete and thoroughly professional recording solution. Check out the Studio 1824 at your favorite PreSonus dealer.

 

DPA-VIMMA-A
DPA d:vice Digital Audio Interface

The d:vice™ MMA-A Digital Audio Interface is a high-quality, dual-channel microphone preamplifier and A/D converter that captures crystal-clear audio via your favorite recording / broadcasting apps. The d:vice™ can be used with all DPA microphones  with a MicroDot connector.

 

This flexibility allows any content creator to use the equipment for unexpected situations that might arise during the day. Whether it be a two-channel interview situation or a session of stereo recording ambience sound, the d:vice™ makes it easier for you to do your job.

At about two inches in diameter, the d:vice™ is ultra-compact, easily fitting in your pocket. It provides best-in-class audio quality and is controlled through a remote application on any iOS device.

 

An exclusive DPA app is available for download from the Apple® App store. The app allows you to store gain settings and low-cut filters for ongoing and future personalized use in dedicated presets. Third-party applications can be used to accomplish specific tasks, including but not limited to, live broadcast and high-quality recordings.

 

Made for: iPhone 7 Plus, iPhone 7, iPhone 6s, iPhone 6, iPhone 5, iPad Pro (12.9-inch), iPad Air, iPad Air 2, iPad mini 4, iPod touch (6th gen).

 

 

RAD-R800 1036 00
MIX 2:1 Passive balanced mixer 2 in 1 out

MIX 2:1™ Two Channel Audio Combiner & Mixer

 

  • Mixes two channels to a single mono output
  • Individual level controls can be bypassed when not in use
  • ¼" TRS and XLR inputs
  • Completely passive, no need for power

The MIX 2:1 is a simple yet highly useful mixer that passively sums two audio channels down to one. This enables you to easily sum the stereo outputs of a console, recording interface, or portable playback device down to mono, or to mix any two signals together and balance their relative input levels.

 

At the inputs of the MIX 2:1, both ¼" TRS and XLR connectors are available, with ground lift switches to eliminate buzz and hum from ground loops and ensure noise-free operation. Each input can be individually engaged or disengaged, allowing you to audition either signal before summing both together. A trim control is also featured on each input, so if you are connecting two separate mono sources such as the outputs of two mic preamps, they can each be attenuated as needed to match their levels at the output. Both level controls can be completely bypassed, summing inputs 1 and 2 equally, and preventing accidental or unwanted level adjustments. The MIX 2:1 has a 180° flip on Input-2, to help solve issues with frequency cancellation due to the inputs being out of phase. After both signals are passively summed together, they feed a single XLR output that can be connected to a powered speaker, or the input of a console or recording interface.

 

The MIX 2:1 is built with 14-gauge solid steel, featuring I-beam construction that prevents the circuit board from being torqued which protects against solder joint failure, along with a bookend design that protects the level controls and switches. A military-spec circuit board and high quality components help maintain the integrity of your audio quality, without distortion or phase shift, resulting in completely transparent passive summing.

ADA-SP-5
ADAM SP-5 Headphone (NEW)

Renowned maker of industry-leading studio monitors ADAM Audio introduces the SP-5, a closed-backed, circumaural headphone with an analytically precise, smoothly balanced sound from 8 to 38 kHz. The SP-5 uses Ultrasone´s S-LOGIC technology to provide startlingly realistic spatial imaging while requiring less SPL to deliver the same volume, making the SP-5 an excellent choice for long mixing sessions. ADAM Audio CEO Christian Hellinger: “This headphone fits perfectly into our reference-class monitor range, providing ultra-precise reproduction of audio material while avoiding hearing fatigue.”

 

 

The ADAM Audio Studio Pro SP-5 is available now.

PRE-ATOM
ATOM, Production and Performance Pad Controller

Tightly integrated production environment with included Studio One® Artist production software; flexible control of virtual instruments and real-time triggering of samples and loops using 16 full-size, velocity- and pressure-sensitive RGB pads that can send polyphonic aftertouch, channel pressure, or MIDI CC messages, plus 20 buttons and 8 pad banks that can be assigned in multiple ways; includes MVP Loops content custom-designed for ATOM; built to withstand the rigors of performance and travel.

PRE-ABOX96K ULTIMATE
AUDIOBOX 96  ULTIMATE BUNDLE

Everything you Need to Record and Produce

 

Produce and record like a pro with a single-purchase bundle! The core of this package is the AudioBox USB® 96 audio/MIDI interface and award-winning Studio One recording and production software. You also get PreSonus®’ best-selling Eris E3.5 Active Media Reference Monitors and HD7 headphones, allowing you to monitor your work loud and proud or quietly to yourself. Lastly, the M7 dynamic microphone is a superior all-purpose condenser mic ideal for guitar and vocals—and we even included all the necessary cables and a desktop mic stand.

PRE-ATOM PROD
Atom Producers Lab Bundle

Tightly integrated production environment featuring PreSonus® ATOM™ pad controller, which offers flexible control of virtual instruments and real-time triggering of samples and loops; powerful yet easy-to use Studio One® Artist production software with Studio Magic Plug-in Suite; AudioBox USB 96 portable, bus-powered, 2-channel USB interface with up to 24-bit, 96 kHz recording; M7 large-diaphragm condenser mic; and MVP Loops content custom-designed for ATOM.

PRE-FADERPORT V2
FaderPort (NEW)

NEW PRODUCT!

Work smarter.

USB Control Surface with 1 motorized fader, transport controls, Studio One, MCU, HUI

Although a keyboard and mouse are tried-and-true DAW-control devices, they’re far more effective when used in tandem with the FaderPort™’s precise tactile control over mix and automation functions. A superior solution for anyone who mixes in the box, the FaderPort provides a 100 mm touch-sensitive, motorized fader for writing fades and automation in real-time and 24 buttons covering 40 different functions, all in a compact chassis that easily sits on any desk. Quickly zoom in on audio files for editing. Control track levels with the touch of a finger. With the FaderPort, you’ll enjoy the fastest, most efficient workflow you’ve ever experienced.

PRE-QUANTUM 4848
Quantum 4848

Delivery January 2018

PreSonus®’ fastest and best-sounding audio interface; takes advantage of the Thunderbolt™ bus to deliver extremely low-latency/high-speed audio; ADCs and DACs with >120 dB dynamic range; up to 24-bit/192 kHz recording; 32 channels of line-level I/O on DB25 connectors; expandable via 2 banks (up to 16 channels) of ADAT Optical; stack up to 4 Quantum 4848 interfaces 192x192 I/O; word clock I/O for superior digital sync; includes Studio One® Professional featuring Pipeline, which allows you to use your favorite analog gear as plug-ins inside your Studio One session, plus the Studio Magic Plug-in Suite.

PRE-EARMIX 16M
Earmix 16M

High-quality monitoring is crucial for artists to deliver their best performance, so we’ve given the EarMix 16M a loud, clear headphone amplifier that can drive low-impedance devices such as professional-caliber in-ear-monitors. We started with a top of the line digital-to-analog converter for the best dynamic range and signal-to-noise ratio. We took special care in the amplifier design to deliver excellent sound with a wide range of in-ear monitors and headphones with different impedances. Controls and inputs can be customized on each unit to allow each musician to create a mix that works best for them. Once you’ve perfected a set of monitor mixes, save the whole scene to internal memory; you can store and recall up to 16 mix scenes locally.

Your ears—and bands—will thank you.

EarMix 16M’s connectivity, AVB networking with PoE, and PreSonus’ famed hardware/software integration give you all the tools you need to create a truly professional personal monitoring system that can serve even the largest ensembles. We remembered the little things, too, like an optional microphone stand mount. Best of all, thanks to loud, clear headphone amps, high-end converters, and top-quality signal processing, EarMix 16M delivers exceptional sound quality that will further enhance your hard-earned reputation as an audio professional.

PRE-SL-SNAKE-150
SL-SNAKE-150, CAT5E snake, 150 feet

45 meter cable

PRE-NSB 8.8
Stagebox NSB 8.8

Analog Input/Output

Locking, remote controllable combo mic/line inputs

8 remote-controllable XMAX preamps

Gain compensation for shared inputs

8 locking XLR line outputs

Meters, Controls, and Processing

Mute All button

+48V indicators

Easy setup and control from StudioLive® Series III consoles and UC Surface

Digital

16x8 AVB (8 direct input channels + 8 gain-compensated input channels)

2 AVB ports with locking XLR Ethernet jacks

Actively Integrated Software

Easy setup and control from PreSonus® UC Surface touch control software for Mac®, Windows®, iPad®, and Android™, available free from Apple App Store and Google Play

Power

Locking IEC power jack

Physical

Rugged stage box enclosure

Optional rack ears

Compatible with stage pockets from Ace Backstage

PRE-NSB 8.8-RACK KIT
NSB 8.8 Rack kit
PRE-NSB 16.8
Stagebox NSB 16.8

Analog Input/Output

Locking, remote controllable combo mic/line inputs

16 remote-controllable XMAX preamps

Gain compensation for shared inputs

8 locking XLR line outputs

 

Meters, Controls, and Processing

Mute All button

+48V indicators

Easy setup and control from StudioLive® Series III consoles and UC Surface

Digital

32x8 AVB (16 direct input channels + 16 gain-compensated input channels)

2 AVB ports with locking XLR Ethernet jacks

Actively Integrated Software

Easy setup and control from PreSonus® UC Surface touch control software for Mac®, Windows®, iPad®, and Android™, available free from Apple App Store and Google Play

Power

Locking IEC power jack

Physical

Rugged stage box enclosure

Optional rack ears

Compatible with stage pockets from Ace Backstage

PRE-NSB 16.8-RACK KIT
NSB 16.8 Rack Kit
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