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PRE-SLMAD16
StudioLive 16 Series 3
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The most powerful mixer in its class.

The StudioLive® 16 digital console/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 17 touch-sensitive, motorized faders and 17 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 16 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications.

 

Superior sound.

Connect a StudioLive 16 mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing the StudioLive 16. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, the StudioLive 16 delivers the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.

 

Integrated multitrack recording and virtual soundcheck — no computer required.

PreSonus Capture™ recording software is an intuitive, rock-solid multitrack recording application with virtual soundcheck. It’s installed directly into the StudioLive 16 so you can leave your laptop at home. Capture’s one-touch recording makes it easy to record to the StudioLive 16’s onboard SD multitrack recorder. When you're finished recording, open your Capture session in Studio One® for Mac® and Windows® (included), and the entire mix scene will transfer to your Studio One session, including fader levels, Fat Channel settings, and, yes, any drum solos that you may have had to endure that night.

 

A re-envisioned Fat Channel.

The StudioLive 16’s Fat Channel has received a major overhaul while continuing to offer digital precision with the heart and soul of analog. Our new Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. And in addition to channel processing, the StudioLive 16 offers 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording on location or running shows on the road!

 

Define your own layouts, views, and workflows.

StudioLive 16 goes above and beyond in providing ways to customize things to best fit the way you work. Now you can customize your Fat Channel layout, putting the parameters you care about most right at your fingertips. There are even several workflow options to personalize your mixing experience. For instance, you can control the mixer with a multiple iPads and—optionally—a computer, each running UC Surface with a different view, enabling you to see and touch all of the controls you need at a given time.

 

Customize scenes and presets in new and powerful ways—including your way.

With StudioLive 16, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.

 

Create buses and groups to suit your workflow with new FlexMixes.

Don’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. You get a total of 10 FlexMixes on analog outputs, six on XLR connectors, and four on ¼-inch TRS; the other six are routed over USB or AVB. These 16 FlexMixes are in addition to the 4 fixed subgroups that also are available via USB or AVB, giving you a total of 20 mix buses, not counting the main mix, solo, and FX buses. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive 16 mixer exactly to your needs and workflow.

 

World-class recording software included.

Seamlessly integrated with the included PreSonus Studio One® Artist DAW, the StudioLive 16 Series III mixer works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

 

Integrated, multiplatform software for flexible control and one-click recording.

PreSonus StudioLive 16 mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere, using UC Surface touch-control software for Mac, Windows, and iPad®. Control your monitor (aux) mixes with QMix-UC. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive 16 mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.

 

Network-ready, with a choice of computer recording methods.

Networking isn’t the future of professional audio systems; it’s here now. StudioLive 16 mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive 16 mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 38x38 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. And recording is simple and easy: Just launch the included, preconfigured Capture software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or with any recording software that supports ASIO or Core Audio.

 

Remote mix control available on a plethora of both wired and wireless devices.

In addition to the AVB recording connection, StudioLive 16 consoles sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, and iPad®. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix® UC for iPhone®, iPod® touch, or Android™ device without the need for large monitor networks. Go wireless, wired, or both.

 

Extensive connections for flexible signal flow.

The back panel of a StudioLive 16 console sports all of the connections you need for live sound and studio production. With flexible connectivity, superior audio quality, the ability to customize for your workflow, and powerful processing, mixing, and routing capabilities, you’ll create your mixes in whatever manner works best for you. We just provide the tools.

PRE-SLMAD24
StudioLive 24 Series 3
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The most powerful mixer in its class.

The StudioLive® 24 digital console/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 25 touch-sensitive, motorized faders and 25 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 24 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications.

 

Superior sound.

Connect a StudioLive 24 mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing the StudioLive 24. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, the StudioLive 24 delivers the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.

 

Integrated multitrack recording and virtual soundcheck — no computer required.

PreSonus Capture™ recording software is an intuitive, rock-solid multitrack recording application with virtual soundcheck. It’s installed directly into the StudioLive 24 so you can leave your laptop at home. Capture’s one-touch recording makes it easy to record to the StudioLive 24’s onboard SD multitrack recorder. When you're finished recording, open your Capture session in Studio One® for Mac® and Windows® (included), and the entire mix scene will transfer to your Studio One session, including fader levels, Fat Channel settings, and, yes, any drum solos that you may have had to endure that night.

 

A re-envisioned Fat Channel.

The StudioLive 24’s Fat Channel has received a major overhaul while continuing to offer digital precision with the heart and soul of analog. Our new Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. And in addition to channel processing, the StudioLive 24 offers 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording on location or running shows on the road!

 

Define your own layouts, views, and workflows.

StudioLive 24 goes above and beyond in providing ways to customize things to best fit the way you work. Now you can customize your Fat Channel layout, putting the parameters you care about most right at your fingertips. There are even several workflow options to personalize your mixing experience. For instance, you can control the mixer with a multiple iPads and—optionally—a computer, each running UC Surface with a different view, enabling you to see and touch all of the controls you need at a given time.

 

Customize scenes and presets in new and powerful ways—including your way.

With StudioLive 24, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.

 

Create buses and groups to suit your workflow with new FlexMixes.

Don’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. You get a total of 10 FlexMixes on analog outputs, 6 on XLR connectors, and 4 on ¼-inch TRS; the other 6 are routed over USB or AVB. These 16 FlexMixes are in addition to the 4 fixed subgroups that also are available via USB or AVB, giving you a total of 20 mix buses, not counting the main mix, solo, and FX buses. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive 24 mixer exactly to your needs and workflow.

 

World-class recording software included.

Seamlessly integrated with the included PreSonus Studio One® Artist DAW, the StudioLive 24 Series III mixer works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

 

Integrated software package with professional DAW, remote-control apps, and one-touch recording.

PreSonus StudioLive 24 mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture ™. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive 24 mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.

 

Network-ready, with a choice of computer recording methods.

Networking isn’t the future of professional audio systems; it’s here now. StudioLive 24 mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive 24 mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 38x38 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. And recording is simple and easy: Just launch the included, preconfigured Capture software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or with any recording software that supports ASIO or Core Audio.

 

Remote mix control available on a plethora of both wired and wireless devices.

In addition to the AVB recording connection, StudioLive 24 consoles sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, and iPad®. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android™ device without the need for large monitor networks. Go wireless, wired, or both.

 

Extensive connections for flexible signal flow.

The back panel of a StudioLive 24 console sports all of the connections you need for live sound and studio production. With flexible connectivity, superior audio quality, the ability to customize for your workflow, and powerful processing, mixing, and routing capabilities, you’ll create your mixes in whatever manner works best for you. We just provide the tools.

 

 

 

PRE-SLMAD32
StudioLive 32 Series 3
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Digital Mixing Redefined. Again.

The most powerful mixer in its class.

The StudioLive® 32 digital console/recorder is by far the most powerful mixer in its class. The result of nine years of R&D, our third-generation StudioLive mixer is fully recallable, with 33 touch-sensitive, motorized faders and 33 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 32 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations to fit the way you work. The coveted StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications.

 

Superior sound.

Connect a StudioLive 32 mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing the StudioLive 32. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, the StudioLive 32 delivers the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.

 

Integrated multitrack recording and virtual soundcheck — no computer required.

PreSonus Capture recording software is an intuitive, rock-solid multitrack recording application with virtual soundcheck. It's installed directly into the StudioLive 32 so you can leave your laptop at home. Capture's one-touch recording makes it easy to record to the StudioLive 32's onboard SD multitrack recorder. When you're finished recording, open your Capture session in Studio One® Professional for Mac® and Windows® (included), and the entire mix scene will transfer to your Studio One session, including fader levels, Fat Channel setting, and yes, any drum solos that you may have had to endure that night.

 

A re-envisioned Fat Channel.

The StudioLive 32's Fat Channel has received a major overhaul while continuing to offer digital precision with the heart and soul of analog. Our new Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. And in addition to channel processing, the StudioLive 32 offers 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording on location or running shows on the road!

 

Define your own layouts, views, and workflows.

StudioLive 32 goes above and beyond in providing ways to customize things to best fit the way you work. User layers for the channel faders let you place any channel or bus fader anywhere you want — and they're easy to set up. But we didn't stop there. How about customizing your Fat Channel layout, putting the parameters you care about most right at your fingertips? There are even several workflow options to personalize your mixing experience. For instance, you can control the mixer with multiple iPads and –optionally– a computer, each running UC Surface with a different view, enabling you to see and touch all of the controls you need at a given time.

 

Customize scenes and presets in new and powerful ways—including your way.

With StudioLive 32, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe, which enables you to protect individual channels from parameter changes when recalling a scene. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.

 

Create buses and groups to suit your workflow with new FlexMixes.

Don’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 16 FlexMixes are in addition to the 4 fixed subgroups giving you a total of 20 mix buses, not counting the main mix and solo buses. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. To top it off, you can choose between 1-to-1 or split-layer workflows: Assign all channels to the top layer, with one fader per input channel, or split the faders between inputs and outputs, including DCAs and aux outputs. These are only a few of the many ways you can customize your StudioLive 32 mixer exactly to your needs and workflow.

 

Studio One Professional included.

For years, we've included Studio One Artist with our hardware interfaces and mixers. But with the StudioLive 32, we know you're looking to go big or go home—so we chose to bundle the Professional edition of Studio One with each StudioLive 32. Not only will you enjoy Professional-only features like Melodyne Integration, the mastering Project Page, Note FX, and Macro Controls, you'll also get tight hardware integration between Studio One and your mixer, including remote preamp control from directly within Studio One.

 

Integrated, multiplatform software for flexible control and one-click recording.

PreSonus StudioLive 32 mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere, using UC Surface touch-control software for Mac, Windows, and iPad®. Control your monitor (aux) mixes with QMix-UC for iPhone, iPod touch, and Android devices. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Professional for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Professional. StudioLive 32 mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.

 

Network-ready, with a choice of computer recording methods.

Networking isn’t the future of professional audio systems; it’s here now. StudioLive 32 mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive 32 mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 38x38 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. And recording is simple and easy: Just launch the included, preconfigured Capture software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Professional DAW—or with any recording software that supports ASIO or Core Audio. A complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017.

 

Remote mix control available on a plethora of both wired and wireless devices.

In addition to the AVB recording connection, StudioLive 32 consoles sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, and iPad®. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android™ device without the need for large monitor networks. Go wireless, wired, or both.

 

Extensive connections for flexible signal flow.

The back panel of a StudioLive 32 console sports all of the connections you need for live sound and studio production. With flexible connectivity, superior audio quality, the ability to customize for your workflow, and powerful processing, mixing, and routing capabilities, you’ll create your mixes in whatever manner works best for you. We just provide the tools.

PRE-ABOX USB 96
AudioBox USB 96 (New)
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Simple, reliable, and portable.

Whether you are a musician, producer, or podcaster on a tight budget, the AudioBox USB® 96 is for you! This simple, handy little recording interface has just the right features for basic recording needs, allowing you to plug in and start recording up to 24-bit, 96 kHz audio right away. Bus-powered and built to travel, the AudioBox USB 96 makes recording easy.

 

Just the right size.

The AudioBox USB 96’s two front-panel combo mic/instrument inputs make it ideal for singer/songwriters, podcasters, and guitar or guitar-bass collaborations. Simply connect a couple of mics and you have an easy-to-use stereo recording system. A mix control lets you control the level between the input signal and computer playback, without hearing annoying delays. You also get a pair of balanced line-level outputs, an ultra-loud, crystal-clear headphone out, plus MIDI I/O, so you can connect your favorite synth or MIDI controller. The result is a simple, affordable, mobile recording solution.

 

Roadworthy and ready to travel.

Here is a mobile interface in the best sense of the term. We gave the AudioBox USB 96 a heavy-duty steel chassis so it can take a serious pounding and remain completely reliable. Its screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy locations. And it’s USB 2.0 bus-powered, so you can record with it anywhere you can use a laptop. Simply drop it in your laptop bag or slap it on a tabletop.

 

World-class recording software included.

While the AudioBox USB 96 works with virtually all Mac and Windows audio-recording software, it comes with a free license for PreSonus’ Studio One® Artist DAW, giving you a complete recording solution. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice.

PRE-ABOX USB 96
AudioBox USB 96 (New)
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Simple, reliable, and portable.

Whether you are a musician, producer, or podcaster on a tight budget, the AudioBox USB® 96 is for you! This simple, handy little recording interface has just the right features for basic recording needs, allowing you to plug in and start recording up to 24-bit, 96 kHz audio right away. Bus-powered and built to travel, the AudioBox USB 96 makes recording easy.

 

Just the right size.

The AudioBox USB 96’s two front-panel combo mic/instrument inputs make it ideal for singer/songwriters, podcasters, and guitar or guitar-bass collaborations. Simply connect a couple of mics and you have an easy-to-use stereo recording system. A mix control lets you control the level between the input signal and computer playback, without hearing annoying delays. You also get a pair of balanced line-level outputs, an ultra-loud, crystal-clear headphone out, plus MIDI I/O, so you can connect your favorite synth or MIDI controller. The result is a simple, affordable, mobile recording solution.

 

Roadworthy and ready to travel.

Here is a mobile interface in the best sense of the term. We gave the AudioBox USB 96 a heavy-duty steel chassis so it can take a serious pounding and remain completely reliable. Its screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy locations. And it’s USB 2.0 bus-powered, so you can record with it anywhere you can use a laptop. Simply drop it in your laptop bag or slap it on a tabletop.

 

World-class recording software included.

While the AudioBox USB 96 works with virtually all Mac and Windows audio-recording software, it comes with a free license for PreSonus’ Studio One® Artist DAW, giving you a complete recording solution. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice.

PRE-STUDIO 26
Studio 26
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Professional quality wherever you record.

Great for podcasters, live streaming, DJs, and musicians on the road or in the studio, the Studio 26 2x4 USB 2.0 bus-powered audio/MIDI interface can record up to 24-bit, 192 kHz audio. Equipped with PreSonus XMAX-L solid-state preamps and high-end converters, it delivers professional quality audio in a rugged, compact enclosure, allowing you to create your next hit in your studio or on the go. A complete, all-in-one recording solution, the Studio 26 comes with PreSonus’ award-winning Studio One® Artist DAW software for Mac® and Windows®.

 

Superior sound.

Audiophile-grade digital converters, ultra-low-jitter clocking, and XMAX-L solid-state preamps add up to a superior recording and listening experience. The Studio 26 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion.

 

Perfect for guitarists, singer/songwriters, and podcasters.

The Studio 26 is a great choice for podcasters, singer/songwriters, or a couple of guitarists who want to collaborate or jam. Use it for recording sermons and teaching music, too! A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for DJs and to listen in on a performer’s monitor mix.

 

World-class recording software included.

Seamlessly integrated with the included PreSonus Studio One® Artist DAW, the Studio 26 interface works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

 

Take the tour.

The Studio 26 features two front-panel combo mic and switchable line/instrument inputs with +48V phantom power for condenser mics. In addition to L/R main outputs, you get two balanced line outputs for monitor mixing or speaker switching, while LED meters indicate input and output levels. MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making it the central hub for your whole studio.

 

Designed for the studio. Built for the road.

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 26 will give you clear, clean, ultra-high-def sound in a bus-powered, rugged chassis that's ready to hit the road when you are. The perfect companion for any recording software, the Studio 26 comes equipped with Studio One Artist to provide you with a complete, affordable, mobile recording solution. Check out the Studio 26 at your favorite PreSonus dealer.

PRE-STUDIO 68
Studio 68
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Professional quality for small studios.

An excellent choice for producers and musicians working in small studios, the Studio 68 provides the right I/O and features for recording and performing. Equipped with four of our famous XMAX Class A preamps, high-end converters, and cue mix monitoring with an ear-bleedingly loud headphone amp, it delivers professional quality audio and the connections you need to create your next hit and play it at your next gig with 24-bit, 192 kHz resolution. A complete, all-in-one recording solution, the Studio 68 comes with PreSonus’ award-winning Studio One® Artist DAW software for Mac® and Windows®.

 

Superior sound.

Audiophile-grade digital converters, low-jitter clocking, and our famous XMAX preamps add up to a superior recording and listening experience. The Studio 68 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. XMAX Class A microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings, making it ideal for both vocal production and sampling.

 

Fits into your studio and your gigs.

The Studio 68 is a great choice for small studios and has all the right stuff for teaching music, too! A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones—perfect for both DJ-ing live and listening in on a performer’s monitor mix. Six LED meters indicate input and output levels.

 

World-class recording software included.

Seamlessly integrated with the included PreSonus Studio One® Artist DAW, the Studio 68 interface works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

 

Take the tour.

The Studio 68 features two front-panel combo mic and switchable line/instrument inputs and two mic/line inputs with +48V phantom power for condenser mics, In addition to L/R main outputs with front-panel level controls, you get two balanced line outputs for monitor mixing or speaker switching plus stereo S/PDIF digital I/O. MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making the Studio 68 a true central hub for your studio.

 

Designed for the studio. Built for the road.

Whether you need a high-quality interface for DJ-ing, are a veteran producer, or both, the Studio 68 will give you the ultra-high-def sound and versatile connectivity you need to make state-of-the-art recordings and perform them live. The perfect companion for any recording software, the Studio 68 comes equipped with Studio One Artist to provide you with a complete, affordable, mobile recording solution. Check out the Studio 68 at your favorite PreSonus dealer.

PRE-ABOX USB 96 STUDIO
AudioBox USB 96 Studio
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AudioBox 96 Studio recording kit.

It's easy to start a home or mobile studio with this special all-PreSonus system, which combines an AudioBox USB 96 interface with Studio One® Artist software, Studio Magic Plug-in Suite, monitoring headphones, a large-diaphragm condenser microphone, and all necessary cables.

 

AudioBox USB 96 bus-powered audio/MIDI interface

Perfect for musicians and podcasters, the ultra-mobile 2-channel AudioBox USB 96 audio/MIDI interface boasts high-performance microphone preamplifiers and professional-quality, 24-bit, 96 kHz converters. USB 2.0 bus-powered, itʼs compact, ruggedly built, and designed to work perfectly with Studio One recording software but also works very well with other audio software that supports ASIO or Core Audio.

  • 24-bit resolution, up to 96 kHz sampling rate
  • 2 combo mic/instrument inputs and 2 balanced line outputs
  • 48V phantom power for M7 condenser microphone
  • Zero-latency monitoring via internal mixer
  • MIDI I/O
  • USB 2.0 bus powered

 

Studio One Artist recording and production software

Incredibly easy to learn, Studio One Artist lets you work quickly and stay focused on your inspiration while offering features rarely found in entry-level DAWs.

Elegant single-window work environment

Powerful drag-and-drop functionality

Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels

Instantly configures to PreSonus audio interfaces

25 Native Effects 32-bit effects and virtual instrument plug-ins

Compatible with Mac® and Windows®

 

Studio Magic Plug-in Suite

PreSonus’ Studio Magic Plug-in Suite for Mac and Windows bundles seven popular plug-ins in VST, AU, and AAX formats.

Includes: SPL Attacker, Mäag Audio EQ2, Lexicon’s MPX-i Reverb, Eventide H910 Harmonizer, Eventide 2016 Stereo Room, Brainworx bx_opto compressor, and Arturia’s Analog Lab Lite

Compatible with Studio One and any DAW for Mac or Windows that supports VST, AU, or AAX

 

HD7 studio monitoring headphones

PreSonusʼ high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch.

  • High-resolution neodymium drivers
  • Precision-tuned acoustic chamber
  • Extended bass response
  • Lightweight

 

M7 large-diaphragm studio condenser microphone with cable

Get your collection off to a good start with this multi-purpose mic.

Mic-stand adapter

Cloth carry bag included

PRE-QUANTUM
Quantum  26x32 Thunderbolt
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Record with the Power of Thunderbolt

Quantum 26x32 Thunderbolt™ 2 Audio Interface/Studio Command Center

 

Superior sound.

Audiophile-grade digital converters, low-jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Quantum operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 120 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.

 

Your expandable, ultra-high definition recording system.

Taking full advantage of the high-speed Thunderbolt™ 2 bus and ADAT Optical I/O, the PreSonus® Quantum audio/MIDI interface delivers up to 26 inputs and 32 outputs, with extremely low latency. Boasting superb audio quality; 24-bit, 192 kHz recording and playback; recallable XMAX microphone preamps; and the ability to expand your system as your needs grow, it’s a great choice for a wide variety of professional and semi-pro producers and electronic musicians.

 

We cut the wait.

Every design decision during Quantum’s engineering was made with one goal in mind: speed. Quantum sports high-speed Thunderbolt 2 connectivity and a no-frills, direct-to-DAW architecture, with no DSP. The result is our leanest, fastest, lowest-latency interface to date.

Cutting-edge 24-bit, 192 kHz converters with 120 dB of dynamic range and a surprising amount of expandability and software control options round out the package.

 

Tight integration with Studio One.

With the Quantum, your audio interface is an integrated extension of your recording environment. Launch Studio One®, and you’ll find full preamp control integrated into your recording environment. Need to track away from your computer? Launch Studio One Remote on your iPad®.

 

Expandable when you need more I/O—up to 96 in and out.

The Quantum offers two combo mic/line/instrument inputs and six combo mic/line inputs, each with a digitally-controlled XMAX preamp and individual +48V phantom power. You also get two ¼-inch TRS main outputs, eight ¼-inch TRS aux outputs, and two independent headphone outs with dedicated volume controls. But that’s just the start. With ADAT Optical I/O and S/PDIF stereo digital I/O, you can have up to 18 digital inputs and outputs. And if you need even more I/O channels, you can stack up to four Quantum interfaces via Thunderbolt to create a monster system with up to 96 in and out. BNC word clock I/O ensures your Quantum and other digital audio devices operate in tight sync. And of course you get MIDI I/O, too.

 

A superior choice for any production environment.

With its pro features and abundant I/O, the Quantum fits into any recording and production environment. You get two main and eight auxiliary balanced line-level outputs, as well as Mute/Dim and Mono controls. The onboard talkback mic can be routed to any mix, and you can listen to any mix from either of two independent headphone amps. All 10 analog outputs are DC coupled so they can provide control voltage to external analog equipment. Add that to Quantum’s expandability, flexible software suite, blazing speed, and superb sound quality, and you have a recording system that will be the heart of your dream studio for years to come.

 

Remote control with UC Surface, too!

The Quantum’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. We even included a real-time analyzer to monitor your audio streams. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need.

 

 

SON-ICD-SX2000
Sony ICD-SX2000 portable audio recorder
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Perfect for music and meetings

Authentic recordings with 3-way microphone

Capture band sessions in faithful High-Resolution Audio. Record crystal clear conversations and business meetings. With adjustable microphones, this digital recorder reproduces every detail precisely.

 

The Way The Artists Truly Intended

Enjoy the subtlest nuances of studio-quality sound in higher than CD quality with High-Resolution Audio. Passion for music unites every component from signal to speaker so it feels like the artist is performing right in front of you.

 

Supreme sound, superior recording

Record and play with absolute precision. Capture songs and sessions in better than CD sound quality and enjoy everything you've recorded in High-Resolution Audio

 

Linear PCM Recording

Capture sound at up to 96KHz/24-bit, a serious step up from the 44.1KHz frequency and 16-bit rate of CD

 

Free Lossless Audio Codec

Enjoy lossless audio with the clarity and dynamics that the artist intended, with flac playback support.

 

Authentic amplification

The S-Master™ HX digital amp cuts distortion and noise across a wide range of frequencies.

RAD-R800 7017 00
NORTHSTAR Modern Country Rock
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  • Powerful overdrive with tone-shaping
  • True-Bypass switching retains your tone
  • Class-A Power Booster provides +24dB of clean gain
  • Built-in effects loop activates with booster

Designed for today’s new breed of rock-oriented country players, the North-Star is both an overdrive and a high-output power booster combined in one versatile and compact pedal.

The overdrive circuit in the North-Star is capable of providing an array of tones, varying from subtle chunk to singing distortion. The Drive and Level controls provide adjustments over the amount of distortion and the output to your amp, so you can balance how much drive you get from the pedal vs. breakup from your amp. Combined with a variable Class-A Booster capable of +24dB of clean gain, you can use the North-Star to dial in the perfect not-too-dirty, not-too-clean semi-broken up tone, or push your sound to the extreme. Used on its own, the Booster section can provide easy transitions from rhythm to lead, as the separate Boost footswitch automatically engages the built-in effects loop, bringing your favourite analog delay pedal into the signal chain.

 

The North-Star is built in a compact enclosure to save space on a busy pedalboard, and is powered via a standard 9V power supply or a multi-pedal power brick. 14-gauge steel construction and high-quality components ensure it will hold up against the rigors of the road, and true-bypass switching retains the pure tone of your instrument when not in use.

RAD-R800 7022 00
Hot British V9 Metal Maximum Gain
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  • High gain Plexi-style distortion
  • Powerful tone-shaping EQ controls
  • Compact size saves pedalboard space
  • Standard 9V power supply operation

The Hot-British V9™ is an updated solid-state version of the venerable Tonebone Hot British™ tube distortion pedal. Packed into a pedalboard-friendly compact chassis, the Hot-British V9 retains the same soul and character of the original, with the ability to be powered by standard 9V pedalboard power supplies.

Under the hood, a Class-A buffering circuit gives you the feel of a true-bypass pedal with the added benefits of greater noise rejection and lower impedance, allowing you to drive pedal chains and longer cable runs efficiently. The Hot-British V9 also features multiple tone shaping stages to provide you with total control over your sound. The Drive control sets the overall distortion amount and input level, so you can apply a touch of grit and tube-like saturation, or crank it up for screaming lead tones. Next up, the Contour knob augments the character of the distortion, to vary it between warm, fat textures and brighter tones with more 'air'.

The post-distortion EQ controls provide a powerful way to shape your overall sound, allowing you to tailor the Hot-British V9 to best match your guitar and amplifier. Low and High EQ knobs are complemented by 3-position Top End and Mid Boost switches, so dialing in the perfect tone is a snap. Lastly, a Level control sets the output of the Hot-British V9 to your amplifier. The Hot-British V9 is compact and takes up little valuable pedalboard space, yet it is built extremely rugged, with heavy-duty components and a 14-gauge steel enclosure. One listen and you’ll be blown away by how a device this small can produce such huge tone.

RAD-R800 7027 00
Texas Pro Blues Rock Revival
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  • Versatile Overdrive with multiple tonal possibilities
  • High output Class-A power booster
  • Overdrive and Boost operate separately or in combination
  • Built-in effects loop activates with booster

The Texas-Pro is a compact but extremely powerful dual-function pedal, providing a versatile overdrive circuit as well as a high output signal booster. These two features can be used on their own or in combination, giving you a wide range of tonal options, with the power to cut through when soloing or hit the front end of your amp harder for natural sustain and harmonics.

The overdrive section is equipped with a three-position Range switch, which tailors the response to produce vintage, modern, and high-gain overdrive tones. This allows you to choose between bluesy textures similar to an Ibanez TS9®, a modern rock feel like a Fulltone OCD®, or aggressive in-your-face saturation. Individual Drive, Tone, and Level controls allow you to further dial in the settings that best suit your guitar and amp setup. The Overdrive is followed by a 100% discrete, pure Class-A Boost circuit with a variable level control that can provide up to +22dB of clean gain. This can be used to let your solos sing out or to push the front end of a smaller amp harder, causing it to prematurely break up. Both the Overdrive and the Boost utilize true-bypass switching, which ensures that you retain the pure tone of your guitar as if it were plugged directly into your amplifier. For additional functionality, a built-in effects loop provides the ability to connect delays or other pedals, activating them when the Boost footswitch is engaged. This makes transitioning from rhythm to lead quick and efficient, with just a single foot-stomp required.

The Texas-Pro is housed in a compact chassis that is small enough for any pedalboard, while still able to handle the rigors of the road with 14-gauge steel construction and heavy-duty footswitches and connectors. Standard 9V power supplies and multi-pedal power bricks can be used to power the Texas-Pro.

TS9 and OCD are registered trademarks of Ibanez® and Fulltone®. Radial is not associated with these companies and only uses their names to reference the type of sound created.

 

 

RAD-R800 7079 00
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The EFX-Bumper is a compact solution for guitar players who use multiple effects pedal loops, but have limited pedalboard space. The EFX-Bumper can switch between up to four pedals or groups of pedals, using a single footswitch to cycle between the loops. This allows you to connect a wah pedal to loop-1, distortion to loop-2, modulation to loop-3, and chorus and delay pedals to loop-4; activating a loop is as easy as hitting the Loop Select footswitch until the LED for the desired loop illuminates. Multiple loops can be engaged at the same time, using 3-position assign switches that determine which combination of loops activate together. A second footswitch can be set to engage all loops at once, or bypass them completely. Compact and rugged, the EFX Bumper is built with 14-gauge steel and heavy duty connectors and switches, and is powered via a standard 9V power supply.

RAD-R800 1427 00
Key-Largo
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The Key-Largo is a Tonebone first... It is a combination keyboard mixer, DAC, effects loop and remote control in a compact pedal format.

The design begins with three stereo input channels for your analog synths. Each channel is equipped with a level control and an effects send.
Then, a 4th input for a USB connection to your laptop to play back audio files and mix them with the live keys. A stereo effects loop lets you add a rackmount delay or reverb to

your vintage Mini-Moog or share it with the others and remotely turn on the effects loop using the left onboard footswitch. Stereo direct outputs let you feed your stage monitors while balanced

isolated outputs feed the PA system.

A middle latching footswitch lets you take things one step further with a contact closure that can be used to activate a second effect in the loop.

A third momentary footswitch is assigned for sustain, making it easy to connect to your piano patch. Side access MIDI connectors are available

to pass-through data and add flexibility.

 

RAD-R800 1055 00
BT-Pro Bluetooth Direct Box
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* Bluetooth reception to 12 meters (40 feet!) "Delivery December 2016"
* Dual balanced XLR outputs to connect to PA system
* Built-in headphone amp for troubleshooting
* Isolation transformers to eliminate buzz and hum

The BT-Pro is a Bluetooth® direct box designed to capture the wireless transmission from a Bluetooth® enabled device and convert the signal to a balanced line for use in a PA or recording system. It employs an innovative T-shaped access cavity behind which is located the antenna. This is protected by a milled insert made from Sintra® – a rugged closed-cell PVC - that permits the wireless transmission signal to pass without interference, allowing reception distances of 12 meters (40') or more with line of sight between devices.
 
The audio signal path itself employs the latest Bluetooth wireless A2DP interface over 2.0 EDR (Enhanced Data Rate) for higher speed transmission to deliver optimal audio quality . This standard employs a 16-bit wireless compressed format with the actual bit rate determined by the transmission source material. Inside, the BT-Pro converts the data to a stereo analog signal, producing up to +4dB at the output. The signal level is controlled by a front panel potentiometer that is shared with the built-in headphone amp with standard 3.5mm mini TRS that is used for troubleshooting.
 
For greater flexibility, a stereo-to-mono switch sums the stereo output for dual-mono operation to reduce input channel requirements on the mixer or to share the signal between separate systems. Should noise be encountered, two side-mounted isolation transformers may be inserted into the signal path. This is supplemented by a ground lift switch for the XLRs to further help eliminate hum and buzz caused by ground loops.
 
Connecting to the BT-Pro is easy. The BT-Pro is powered by an external 5V supply via a mini USB port and may also be powered from a laptop or USB hub. Once turned on, two top-mounted LEDs will toggle as it awaits pairing. Turn on your Bluetooth device and its transceiver sends an initial pairing message to identify the BT-Pro. This will show up as 'RadialEng'. A connection pass code is then used to initialize the connection. This important safety feature ensures other nearby Bluetooth devices cannot 'pollute or hijack' the system. Once paired, the BT-Pro's blue LED will flash every 3 seconds to let you know the two Bluetooth devices are talking to each other.
The Radial BT-Pro… a wireless DI made for professional touring.
RAD-R800 1404 00
JDX Direct Drive Amp Simulator and DI Box
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Guitar amp simulator for pedalboards
Eliminates need to bring an amp to the gig
4 x 12, half-stack & open back combo tone
 
 
The Radial™ JDX Direct-Drive is a unique and powerful device that simulates the sound of a guitar amplifier while doubling as a direct box. Unlike a typical direct box that merely transfers the sound of the pedals to the PA, the Direct-Drive simulates the tone and feel of a real guitar amp, producing a much more realistic sound. In other words, with the Direct-Drive on your pedalboard, you can do a gig without carrying an amp to the club.
The design begins with a traditional ¼” guitar input and passive thru-put to feed a stage amp. This is then followed by a dedicated tuner output that is buffered in order to eliminate loading on the pickup or noise from the quartz clock. The guitar signal is then passed through a series of carefully sculpted filters to create Radial’s signature JDX tone. This is modelled after the sound of a Shure SM57™ in front of a Marshall™ 4-12 cabinet. The Direct-Drive goes further with two more voicing settings: The first adds a vintage Marshall™ tube head character to the signal path while the second delivers a tone reminiscent of an early Fender Twin™. The two amp tones can be further tailored using a presence switch for extra sparkle. The guitar signal exits the Direct-Drive via either a ¼” guitar-level output or via a balanced XLR to feed the PA. The direct box output is outfitted with a 180° polarity reverse switch to help phase-align monitors with the stage amp along with a ground lift switch to help eliminate hum and buzz caused by ground loops. The Direct-Drive may be powered using a standard 9V power supply or typical pedalboard power brick.
As with all Radial products, the Direct-Drive is made to handle the rigors of professional touring with 14-gauge steel throughout. This not only helps prevent damage to the internal PCB, it also reduces susceptibility to noise from external magnetic fields.
The Radial JDX Direct-Drive… one small step on a pedal board, one huge step for the guitarist!
 
Note: Note the companies mentioned above are not related to Radial and are only referenced in order to give the reader a sense of the type of tone the Direct-Drive will produce at the various voicing settings.
RAD-R800 7081 00
Switchbone V2
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Radial Switchbone V2: with powerful mid-boost section

The Switchbone V2 has tons of new options, though its also kept all of the best functionality from its predecessor. Of course, it has all of the things you already know and love, such as the three foot switches on the top, which allow you to switch between the Out-A and Out-B signal, combine A, B and C outputs, and boost the volume. You can also use the panel to configure the Slingshot function, boost your signal with mid-control, and configure the Baseline pro-boost. Thanks to the addition of Slingshot functionality, you can now switch channels and activate effects via an external foot switch.

 

The Radial Switchbone already enjoys great popularity with many talented musicians such as Eric Clapton, Derek Trucks and Alan Holdsworth. There's no doubt that such popularity will only expand with the release of the new Switchbone V2 switch pedal. The pedal allows you to switch between three amplifiers without any unwanted noise or distortion, and while the previous Switchbone also offered that, now you can get it with an extensive mid-boost function.

RAD-R800 1432 00
4 Play
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The 4-Play begins with a standard ¼" input for acoustic guitar, mandolin, fiddle or bass. In fact, it works great on just about any instrument. A mute footswitch lets you silence the switcher when connecting or disconnecting the instrument. The signal is then routed to a selector footswitch that sequentially activates up to four outputs allowing each instrument to have its own dedicated channel on the PA. You simply mute the 4-Play, connect the desired instrument and then use the footswitch to select the output. High visibility LED indicators provide clear visual feedback to let you know which output is active.

 

Radial Tech Team associate Mike Bauer explains: "When you are on a busy stage, switching instruments can pose several challenges. When sharing the same direct box, switching between an acoustic guitar and mandolin requires both the FOH engineer and monitor engineer to mute the active mixer channel in order to avoid damaging plug-in transients and painful pops for the audience. You then need to alter the EQ and adjust the level to adapt it for each instrument. Alternatively, when using separate DI boxes, you end up with a bunch of wires connected to each instrument which often get tangled. Ask any stage tech and they will tell you that the preferred approach is to use a single cable and manually switch between instruments. Then, because the artist can mute the instrument on stage, you avoid having to flag down the FOH and monitor engineers between each changeover. Since each instrument is now connected to a dedicated channel, the signal level, EQ and effects can be predetermined and optimized without having to make radical changes every time an instrument is changed.  With so many auxiliary musicians onstage these days, there has never been a more appropriate time for this type of solution."

 

The 4-Play features four balanced XLR outputs, each of which is equipped with a ground lift switch to help eliminate hum and buzz caused by ground loops. All of the connectors are made from glass-filled nylon for exceptional durability and isolation and feature nickel-silver contacts that will not tarnish over time. Two 'set & forget' switches allow the user to increase the range of the selector footswitch to 2, 3 or 4 outputs. There is also a dedicated tuner out that can be assigned to be always on, or function in tandem with the mute switch for quick on-the-fly adjustments.

 

Built Radial tough, the 4-Play is made from heavy 14-gauge steel for added rigidity and greater rejection of stray magnetic fields. It employs a standard Boss-style 9V power supply (not included) and is equipped with a cable lock to prevent accidental disconnection.

ADA-S2V
ADAM S2V -  Nearfield monitor, 2-way, 7" woofer
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The S2V is a classic two-way nearfield monitor designed for use in small-to-medium-sized control rooms.

The 7-inch bass driver, newly created from the ground up for the S Series, covers frequencies ranging from 35 Hz to 3 kHz and delivers a powerful, distortion-free low-end with a wide dynamic range. The carefully refined S-ART tweeter, handbuilt as ever at the ADAM Audio factory in Berlin, works seamlessly in tandem with the newly developed HPS waveguide, creating absolutely precise imaging within a generously proportioned sweet spot.

 

The S2V’s compact dimensions belie its impressive power. A 300 W Class D amplifier drives the woofer while a 50 W Class A/B unit handles the S-ART tweeter; the combined output produces SPLs of up to 120dB per pair.

 

The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate various expansion options. Software updates can be carried out with ease via the associated USB port, which also allows users to connect computers and control the speakers’ DSP functions via a software front-end.

 

With its highly accurate frequency response and balanced, razor-sharp imaging, the S2V allows users to pinpoint even the most subtle audio details, making it an ideal choice for use in demanding studio environments.

ADA-S3V
ADAM S3V -  Near-/Midfield monitor, 3-way system, 9" woofer
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The S3V is a three-way studio monitor optimized for vertical use and designed primarily for midfield applications, although it may also be used in more compact listening environments.

 

Bass frequencies from 32 Hz to 250 Hz are handled by ADAM Audio’s entirely new 9-inch Extended Linear Excursion (ELE) LF driver, which incorporates the company’s equally groundbreaking Symmetrical Magnet Assembly (SMA) and delivers a powerful, extremely accurate low end extending right down into the sub-bass region. Mid-range and HF information is reproduced with equally analytical precision thanks to the combination of ADAM Audio’s newly developed 4-inch DCH mid-range driver and the highly refined S-ART folded-ribbon HF driver. Together with the brand-new HPS waveguide, the latter offers high-frequency reproduction with an extremely broad sweet spot with fine, highly detailed imaging and a natural-sounding sense of depth.

 

The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate various expansion options. Software updates can be carried out with ease via the associated USB port, which also allows users to connect computers and control the speakers’ DSP functions via a software front-end.

 

The S3V’s built-in amplification is generously specified, comprising Class D units for the bass and mid-range drivers (500 W and 300W RMS respectively) and a 50 W Class A/B amplifier for the S-ART tweeter.

 

Offering flawless reproduction of audio frequencies between 32 Hz and 50 kHz, the S3V is a standout offering for anyone demanding highly accurate imaging and localization from their reference monitors.

ADA-S3H
ADAM S3H -  Near-/Midfield monitor, 3-way system, 2x7" woofer
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The S3H builds on the successes of ADAM Audio’s most popular studio monitors, the S3A and S3X-H, and, like its predecessors, sets new standards in terms of technical innovation and design.

 

The dual 7-inch bass drivers, each powered by separate 500 W Class D amplifiers, offer flawless reproduction of frequencies all the way down to 32 Hz. ADAM Audio’s newly developed DCH, a 4-inch hybrid dome/cone mid-range driver, is powered by a 300 W Class D amplifier and handles audio above 250 Hz and below 3 kHz, its leading-edge hybrid design offering the sonic advantages of both cone and soft-dome drivers in a single, one-piece unit. Frequencies above 3 kHz are routed to the innovative combination of the S-ART treble driver (each handmade at ADAM Audio’s Berlin factory), the new precision HPS waveguide, and a 50 W Class A/B amplifier. The result of all this innovation is a beautifully transparent three-dimensional soundscape, with an extensive sweet spot.

 

The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. A unique feature of the S3H’s DSP options is a built-in factory EQ preset that emulates the response of ADAM Audio’s legendary S3A monitor. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate various expansion options. Software updates can be carried out with ease via the associated USB port, which also allows users to connect computers and control the speakers’ DSP functions via a software front-end.

 

With its massively powerful amplification and three-way design (optimally configured for use horizontally), the S3H was conceived as a midfield monitor, but can be employed equally well in more compact listening environments. As with all ADAM Audio designs, the sound is punchy but musical, with crystal-clear reproduction of the all-important mid-range.

 

The S3H’s wide-ranging frequency response, its power amps’ instantly available, plentiful headroom, and the lack of need for additional subwoofers should appeal to any audio professional looking for a stand-alone, full-frequency active solution for their recording studio, one which provides equally detailed audio information at any volume setting, loud or quiet. Whatever your preferred output level, the S3H’s vibrant authenticity is a spur to creativity for producers, engineers and musicians everywhere, and its sound remains remarkably unfatiguing, even when working uninterrupted for extended periods.

ADA-S5V
ADAM S5V -  Midfield / Main monitor, 3-way system, 12" woofer
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Designed for medium-sized and larger studio control rooms, the S5V main monitor offers all the raw power studio professionals would expect from a reference speaker of its class, but also reproduces full-bandwidth, high-resolution audio with complete accuracy and clarity.

 

ADAM Audio’s Extended Linear Excursion (ELE) bass drivers and Symmetrical Magnet Assembly (SMA) technology were developed especially for the S Series, and the 12-inch bass driver on the S5V benefits from both concepts, offering a quality of reproduction without equal in terms of accuracy, dynamic range and freedom from coloration. The 4-inch DCH MF driver, with its unique hybrid dome/cone construction, handles the important mid-range information with extreme precision, while ADAM Audio’s S-ART folded-ribbon tweeter, handmade in Berlin to the tightest possible tolerances, produces breathtaking highs and ensures the soundfield is presented in all of its most delicate, filigree detail.

 

The off-axis responses of the treble and mid drivers remain extremely accurate thanks to the addition of high- and mid-frequency waveguides milled from solid aluminum: ADAM Audio’s newly developed Mid-range and High-frequency Propagation Systems (MPS and HPS). The resultant stable, wide-ranging dispersion ensures that teams of more than one person can work in the loudspeakers’ sweet spot simultaneously, as is often necessary in larger control rooms.

 

The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate various expansion options. Software updates can be carried out with ease via the associated USB port, which also allows users to connect computers and control the speakers’ DSP functions via a software front-end.

 

A Class D 700 W amplifier drives the S5V’s bass unit, with further Class D designs providing 300 W and 100W to the DCH mid and S-ART treble drivers respectively.

Combining the legendary precision of ADAM Audio’s proprietary drivers with the power of the company’s amplification, the S5V is a reference monitor for truly discerning audio professionals at work in the most expansive listening environments.

ADA-S5H
ADAM S5H -  Midfield / Main monitor, 3-way system, 2x10,5" woofer
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The S5H is a powerful main monitor custom-designed for the demanding rigours of reference listening in the world’s most expansive studios and control rooms.

The three-way S5H was conceived, as its name suggests, to be used in a horizontal orientation and features two 10-inch Extended Linear Excursion (ELE) bass drivers, newly designed by ADAM expressly for the S Series. Like the LF ELE units on all the other members of the range, the S5H’s woofers feature ADAM Audio’s proprietary Symmetrical Magnet Assembly (SMA) guaranteeing that low-frequency audio remains tightly controlled and free of distortion at all times. The all-important mid-range frequencies are handled by ADAM Audio’s new hybrid DCH. This innovative 4-inch MF driver was also newly developed by ADAM Audio exclusively for the S Series and combines the sonic advantages of cone and dome drivers in a single, one-piece unit.

 

Together with the S-ART treble driver — the latest iteration of ADAM Audio’s widely respected folded-ribbon tweeter, now produced to tighter tolerances than ever before — the resulting combination produces a powerful but unfatiguing sound, with a palpable sense of depth: the last word in high-resolution, natural-sounding audio reproduction.

 

The off-axis responses of the treble and mid drivers remain extremely accurate thanks to the addition of high- and mid-frequency waveguides milled from solid aluminum: ADAM Audio’s newly developed Mid-range and High-frequency Propagation Systems (MPS and HPS). The resultant stable, wide-ranging dispersion ensures that teams of more than one person can work in the loudspeakers’ sweet spot simultaneously, as is often necessary in larger control rooms.

 

The S Series’ custom-designed DSP optimizes the loudspeaker crossovers to create linear responses for the entire range, as well as providing user equalization and in-room tuning/voicing functions. The DSP also handles the limiter-based high-frequency driver protection, processes the signals from the AES3 digital inputs, and will in time facilitate various expansion options. Software updates can be carried out with ease via the associated USB port, which also allows users to connect computers and control the speakers’ DSP functions via a software front-end.

 

No fewer than four separate amplifiers power the drivers: a 700 W Class D design for each of the bass drivers, a 300 W Class D for the mid range and a 100W Class A/B unit for the S-ART tweeter.

 

With its innovative features, advanced design, generous headroom and enormous dynamic range, the S5H takes its rightful place as ADAM Audio’s flagship reference monitor: an extraordinary loudspeaker offering audio reproduction to the very highest standards of fidelity.

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