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MIXERS

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Key-Largo
RAD-R800 1427 00

The Key-Largo is a Tonebone first... It is a combination keyboard mixer, DAC, effects loop and remote control in a compact pedal format.

The design begins with three stereo input channels for your analog synths. Each channel is equipped with a level control and an effects send.
Then, a 4th input for a USB connection to your laptop to play back audio files and mix them with the live keys. A stereo effects loop lets you add a rackmount delay or reverb to

your vintage Mini-Moog or share it with the others and remotely turn on the effects loop using the left onboard footswitch. Stereo direct outputs let you feed your stage monitors while balanced

isolated outputs feed the PA system.

A middle latching footswitch lets you take things one step further with a contact closure that can be used to activate a second effect in the loop.

A third momentary footswitch is assigned for sustain, making it easy to connect to your piano patch. Side access MIDI connectors are available

to pass-through data and add flexibility.

 

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Radial KL-8 Rackmount Keyboard Mixer
RAD-R800 1428 00

Radial KL-8 Rackmount Keyboard Mixer

 

Ultimate Keyboard Control

The KL-8 is a rackmount keyboard mixing station designed to provide complete control over a professional keyboard setup, both on-stage and in the recording studio.

Four stereo analog inputs for keyboards

Redundant USB connections for laptop soft-synths

Stereo Aux Send/Receive with optional footswitch control

Headphone outputs and cue switches for silent monitoring

Link multiple KL-8s for larger setups

Put yourself in control of the mix

The KL-8 is a powerful mixing station created with keyboard pros in mind, with a number of features designed specifically to streamline and enhance any keyboard setup. You can connect up to four keyboards in mono or stereo, with level controls, aux sends, and LED indicators for each. A stereo aux send/receive is available to feed rackmount reverbs and delays and effects pedals, or it can be used as an additional input for a fifth keyboard. MIDI and USB connections make it easy to control a laptop soft-synth, utilizing high quality 24bit/192kHz digital audio converters. The KL-8 also features multiple output options, with transformer-isolated XLR main outputs to feed the PA, monitor outputs for a set of speakers on stage, and dual headphone outputs for local monitoring and testing.

Redundant USB inputs

When you can't afford to have a break in the performance due to laptop failure, the KL-8 allows you to set up redundant laptop systems and seamlessly transition from one to another. A secondary USB input on the KL-8 allows you to keep your backup laptop at the ready - when failure occurs simply hit the USB select switch on the front panel or use the optional JR-1L remote footswitch to instantly switch to the backup system.

Silent cueing and monitoring via headphones

A built in headphone amp and dual 1/4" TRS outputs give you the option to practice and record silently, or cue up individual inputs on stage without feeding signal out to the audience over the PA system. Each input channel on the KL-8 is accompanied by a Cue switch that will remove that input from the main and monitor outputs and reroute it directly to the headphones, so you can easily adjust patch settings and test playback over USB without affecting the performance.

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MIX 2:1 Passive balanced mixer 2 in 1 out
RAD-R800 1036 00

MIX 2:1™ Two Channel Audio Combiner & Mixer

 

  • Mixes two channels to a single mono output
  • Individual level controls can be bypassed when not in use
  • ¼" TRS and XLR inputs
  • Completely passive, no need for power

The MIX 2:1 is a simple yet highly useful mixer that passively sums two audio channels down to one. This enables you to easily sum the stereo outputs of a console, recording interface, or portable playback device down to mono, or to mix any two signals together and balance their relative input levels.

 

At the inputs of the MIX 2:1, both ¼" TRS and XLR connectors are available, with ground lift switches to eliminate buzz and hum from ground loops and ensure noise-free operation. Each input can be individually engaged or disengaged, allowing you to audition either signal before summing both together. A trim control is also featured on each input, so if you are connecting two separate mono sources such as the outputs of two mic preamps, they can each be attenuated as needed to match their levels at the output. Both level controls can be completely bypassed, summing inputs 1 and 2 equally, and preventing accidental or unwanted level adjustments. The MIX 2:1 has a 180° flip on Input-2, to help solve issues with frequency cancellation due to the inputs being out of phase. After both signals are passively summed together, they feed a single XLR output that can be connected to a powered speaker, or the input of a console or recording interface.

 

The MIX 2:1 is built with 14-gauge solid steel, featuring I-beam construction that prevents the circuit board from being torqued which protects against solder joint failure, along with a bookend design that protects the level controls and switches. A military-spec circuit board and high quality components help maintain the integrity of your audio quality, without distortion or phase shift, resulting in completely transparent passive summing.

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R15DC-EU
RAD-R800 9407 01
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